المؤلفون: Komeili, Mokhtar

المصدر: Culture & Folk Literature / Farhang va Adabiyyāt-i ̒āmah; Nov/Dec2021, Vol. 9 Issue 41, p219-252, 34p

مصطلحات موضوعية: SEMANTICS, FOLK literature, PROSE literature, PERSIAN language

Alternate Title: تأثیرِ تصوف بر شبیهخوانی: بررسی مجلسِ عاشورا (Arabic)

المؤلفون: Nadalizadeh, Zoheir

المصدر: Culture & Folk Literature / Farhang va Adabiyyāt-i ̒āmah; Aug/Sep2021, Vol. 9 Issue 39, p327-330, 44p

مصطلحات موضوعية: SUFISM, PROSE literature, LITERARY theory, PHILOSOPHICAL literature, MARTYRDOM, MOSQUES

مصطلحات جغرافية: IRAN

Abstract (English): Of all the ritualistic forms of drama in Iran, Shabih-khani is the most sophisticated one. It sums up in many ways the entire dramatic forms and ancient Iranian rituals. It consists of some dimensions of other art forms, such as painting and architecture, and, most significantly, includes aspects of music and poetry. On the other hand, there is little doubt that the most overarching historical trend in Iran pivots around Sufi philosophy and literature. Sufi themes and moods as well as its mystical philosophies have largely characterized the most notable works of poetry and prose in Persian literature. The predominance of Sufi philosophy in literary works notwithstanding, Sufism can be traced in many of the existing art forms in Iran, not to mention in its quotidian culture. In this article, it is aimed to demonstrate some of the impacts of the Sufi and mystical philosophies on Shabih-khani. Our research illustrates that in Shabih-khani, we face much less a representation of historical reality than a popular interpretation of history intertwined with such discourses as Sufism. Having focused on the play which dramatizes Imam Hossein's martyrdom, we have attempted to lay bare the most important forms of these interpretations. [ABSTRACT FROM AUTHOR]

Abstract (Arabic): از میان تمامی نمایشهای آیینی در ایران، شبیهخوانی تکاملیافتهترین آنهاست؛ عصارهای از هر آنچه در گونههای دیگر نمایشها و آیینهای کهن در ایران سراغ داریم و گاه دربردارندة پارههایی از دیگر هنرها همچون نقاشی و معماری و از همه مهمتر، موسیقی و شعر. ازسویی، کمتر میتوان تردید داشت که برجستهترین و کلانترین جریان در تاریخ فرهنگ و ادبیات ایران، تصوف و آثار صوفیانه است. مضمونها و فضاهای صوفیانه و جهانبینی عرفانی، بر اغلب آثار طراز اول ادبیات فارسی، چه نثر و چه نظم، سایه افکنده است و این حضور قاطع را میتوان جدا از متون ادبی، در شاخههای دیگر هنر و حتی گاه فرهنگ روزمرة ایرانی بهروشنی نشان داد. ما در این مقاله کوشیدهایم که برخی از تأثیرهای نگاه صوفیانه و بینش عرفانی را در نمایش شبیهخوانی بررسی کنیم. آنچه از این کوشش برمیآید این است که در شبیهخوانی، بیش از آنکه با واقعیتی تاریخی سروکار داشته باشیم، با نوعی تأویل و برداشت مردمی آمیخته با گفتمانهایی نظیر تصوف مواجهیم. در این زمینه با مطالعۀ موردی مجلسِ شهادت امام، مهمترین گونۀ این تأویلها و برداشتها را نشان دادهایم. [ABSTRACT FROM AUTHOR]

: Copyright of Culture & Folk Literature / Farhang va Adabiyyāt-i ̒āmah is the property of Tarbiat Modares University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Alternate Title: » عاشیقلار « در داستانهای غنایی » قهرمان « الگوی (Arabic)

المؤلفون: Rasmi, Atekeh, Rasmi, Sakineh

المصدر: Culture & Folk Literature / Farhang va Adabiyyāt-i ̒āmah; Aug/Sep2021, Vol. 9 Issue 39, p35-44, 32p

مصطلحات موضوعية: COUNTRIES, ETHNIC groups, HEROES

Abstract (English): The influence of languages on each other and the cultural connections of nations are inevitable. The stories also have migrated from a land to another and were affected by the target people, but sometimes the similarities of the stories are not due to their influence, rather, they are the result of commonalities of perception which have emerged at different times and geographical areas. Sometimes, the study of the mythological themes and the similarities of some stories among different ethnic groups show their unity and common perception. One of these perceptions is the myth of the hero. However, these archetypes sometimes have differences that are related to the culture and religion of the narrator. This article studies the archetypes of the "hero" and its differences with the western patterns in 24 stories of "Ashiqlar". In these stories, two different elements appear, which are the distinguishing feature of Ashiqlar's stories from the other lyrical poems: One is his assistant dervishes and his honorable apple, which marks the birth of the hero; another is the appearance of the old man with the wine cup in the hero's dream, which calls him to individuality and then the hero who is given wine becomes a true lover. [ABSTRACT FROM AUTHOR]

Abstract (Arabic): تأثیر و تأثّر زبانها از همدیگر و ارتباطات فرهنگی اقوام، امری اجتنابناپذیر است، در این میان قصهها نیز از سرزمینی به سرزمینی دیگر مهاجرت کرده و رنگ و بوی قوم مقصد را گرفتهاند، اما گاه شباهت قصهها نه از تأثیر و تأثّر بلکه در نتیجۀ وجوه مشترک ادراک هستند که در زمانهای مختلف و حوزة جغرافیایی متفاوت ظهور یافتهاند. بررسی شباهت بنمایههای اساطیری پارهای از این داستانها در بین اقوام مختلف، گاه نشان از وحدت فطرت و وجوه مشترک ادراک دارد که اسطورة قهرمان یکی از آنهاست، اگرچه گاه این کهنالگوها دارای تفاوتهایی هستند که این تفاوتها به فرهنگ و دین و مذهب قوم راوی ارتباط دارد. این مقاله و » عاشیقلار « داستانهای » قهرمان « به الگوی » عاشیقلار « با بررسی 00 داستان از داستانهای تفاوتهای آن با الگوهای غربی و داستانهای کلاسیک فارسی پرداخته و وجوه تمایز آنها را از دیگر داستانها بیان کرده است. در این داستانها دو عنصر متفاوت نمود مییابد که وجه ممیّزة از دیگر داستانهای غنایی است: یکی درویش یاریگر و سیب اکرامی » عاشیقلار « داستانهای اوست که تولد قهرمان را رقم میزند و دیگری نمود پیر خرد بههمراه جام بوتا)باده(در رؤیای قهرمان که او را به فردانیّت فرا میخواند و قهرمانی که به او بوتا داده شده است بعد از بیدار. عارف)حق عاشیقی(تبدیل میشود. » عاشیق « شدن از رؤیا به. [ABSTRACT FROM AUTHOR]

: Copyright of Culture & Folk Literature / Farhang va Adabiyyāt-i ̒āmah is the property of Tarbiat Modares University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

المؤلفون: Hossinzave, Seyede Fahime, Zarghani, Seyed Mahdi

المصدر: Culture & Folk Literature / Farhang va Adabiyyāt-i ̒āmah; 2021, Vol. 9 Issue 38, p41-77, 36p

مصطلحات موضوعية: HOME schooling, SOCIAL role, LITERARY theory, RELIGIOUS schools, CONTENT analysis, WOMEN'S roles

مستخلص: The purpose of this study is to investigate the status of women and their role in literature of Qajar era in classic religious schools. We have selected seventy fairy tales from popular folk tales in the Qajar era. The conceptual model of this research is a combination of literary and sociological theories as well as qualitative research method and content analysis. After reading the textual body and extracting the data, we used the conceptual model of the study to examine the actions of women in the stories. The aim was to explain the various roles of women in stories. The findings show that considering the predominance of masculine discourse and gender-biased mentality, the political and social role of women in stories is prominent and their cultural, educational, and legal roles are very limited. The rest of the women's roles are located these two maximum and minimum poles. [ABSTRACT FROM AUTHOR]

: Copyright of Culture & Folk Literature / Farhang va Adabiyyāt-i ̒āmah is the property of Tarbiat Modares University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)