المؤلفون: Arellano, Juan Manuel Saldívar

المصدر: Chungara: Revista de Antropología Chilena, 2018 Jul 01. 50(3), 501-512.

URL الوصول: https://www.jstor.org/stable/26534174

Alternate Title: Music, screens and nostalgia: an aesthetic-affective experience. (English)
Música, pantallas y nostalgia: una experiência estético-afectiva. (Spanish)

المؤلفون: dos Santos Neto, Valdemir Soares, Bressan Junior, Mario Abel

المصدر: Esferas; set-dez2020, Issue 19, p24-33, 10p

مصطلحات موضوعية: VIDEO excerpts, MUSICAL analysis, MEMORY bias, LOVE songs, NOSTALGIA, MUSIC videos, STIMULUS & response (Psychology)

People: DEL Rey, Lana, 1986-, LADY Gaga, 1986-

Abstract (English): The study assumes the possibility of an aesthetic-affective experience based on a triadic relationship supported by music, screens and nostalgia. The objective aims to examine a possible articularon operationalized by the video clip in order to trigger a nostalgic stimulus under the bias of teleafective memory. The investigaron is outlined from an empirical approach, based on an observational analysis of the music video for the song Nathional Anthem, by Lana Del Rey, and the video clip for the song Stupid Love, by Lady Gaga. [ABSTRACT FROM AUTHOR]

Abstract (Spanish): El estudio asume la posibilidad de una experiencia estética-afectiva basada en una relación triádica sustentada en la música, las pantallas y la nostalgia. El objetivo es examinar una posible articulación operacionalizada por el videoclip para desencadenar un estímulo nostálgico bajo el sesgo de la memoria teleafectiva. La investigación se ancla en un enfoque empírico, basado en un análisis observacional del video musical de la canción Nathional Anthem, de Lana Del Rey, y el videoclip de la canción Stupid Love, de Lady Gaga. [ABSTRACT FROM AUTHOR]

Abstract (Portuguese): O estudo presume a possibilidade de urna experiencia estética-afetiva a partir de urna relação triádica sustentada por meio da música, telas e nostalgia. Tem-se como objetivo examinar urna possível articulação operacionalizada pelo videoclipe de modo a desencadear um estímulo nostálgico sob o viés da memoria teleafetiva. A investigação se ancora em urna abordagem empírica, a partir de urna análise observacionista do videoclipe da música NathionalAnthem, de Lana Del Rey, e do videoclipe da música StupidLove, de Lady Gaga. [ABSTRACT FROM AUTHOR]

: Copyright of Esferas is the property of Esferas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Alternate Title: Identity, memory and nostalgia of the neobakala scene from Madrid. (English)

المؤلفون: Leste Moyano, Eduardo

المصدر: Revista de Antropología Social; 2020, Vol. 29 Issue 1, p1-15, 15p

مصطلحات موضوعية: ELECTRONIC dance music, MEMORY, NOSTALGIA, EMOTIONS, TECHNOLOGY

Abstract (English): Neobakalas are adults who build their identity appealing to a nostalgic musical and technological discourse that is used to project a hierarchy over the Electronic Dance Music (EDM), another music scene produced by youngsters. This text explores, through expanded ethnography, the construction of this identity. To do so, it recurs to the concept of music scene, the generations (X, @ and #) defined by Feixa and several proposals around nostalgia (Appadurai, Herzfeld). Nevertheless, this article does not take for granted the nostalgic discourse of the neobakalas and questions it, proposing an alternative one based on memory and history so both can be compared. This comparison between past and present will allow to see how nostalgia erodes and transforms the memory of these subjects, how they have produced several identities in different moments of their lives and how these identities may be understood as answers to a context that constantly alters their lives. [ABSTRACT FROM AUTHOR]

Abstract (Spanish): Los neobakalas son adultos que construyen su identidad a través del relato nostálgico de una música y unas tecnologías que sirven para proyectar una jerarquía sobre la Electronic Dance Music (EDM), otra escena musical protagonizada por jóvenes. Este texto explora, por medio de una etnografía expandida, esta construcción identitaria que es articulada desde el concepto de escena musical, desde las múltiples generaciones definidas por Feixa -X, @ y #- y desde distintas propuestas en torno a la nostalgia (de Appadurai y Herzfeld). Este artículo, no obstante, no da por sentado el relato nostálgico de los neobakalas y lo cuestiona, proponiendo uno alternativo, elaborado por medio de la memoria y la historia de los propios neobakalas para que, de esta forma, se puedan contrastar ambos. Esta contraposición entre pasado y presente pondrá de manifiesto cómo la nostalgia erosiona y transforma la memoria de unos sujetos que han producido distintas identidades en diferentes momentos de sus vidas y cómo estas mismas identidades responden, sobre todo, a las sucesivas necesidades de un contexto que altera constantemente sus condiciones de vida. [ABSTRACT FROM AUTHOR]

: Copyright of Revista de Antropología Social is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

المؤلفون: RODRÍGUEZ RODRÍGUEZ, SAMUEL

المصدر: Sinfonia Virtual; 2020, Issue 38, p1-19, 19p

مصطلحات موضوعية: CIVIL war, SPANISH Civil War, 1936-1939, NOSTALGIA, CENSORSHIP, HORROR, DICTATORSHIP, HORROR films

People: FRANCO, Francisco, 1892-1975

Abstract (English): The poetry of Ángel González represents an exceptional testimony of the Spanish Civil War and the Franco regime. Although written during the dictatorship from the perspective of the defeated, it could escape censorship due to its ironic and allusive tone. We will focus on the essential role that music plays as poetic-historical resource to evoke the horrors of war, based on the poem entitled "Penultima Nostalgia" in the "Grado elemental" that will also be the starting point to discuss other poems of Gonzalez where music is used as a symbolic element. [ABSTRACT FROM AUTHOR]

Abstract (Spanish): La poesía de Ángel González constituye un testimonio excepcional de la guerra civil española y el franquismo. Escrita en gran parte durante la dictadura, desde la perspectiva del perdedor, fue a través de la ironía y diversos procedimientos alusivos que pudo escapar a la censura. Aquí nos detendremos en el papel esencial que la música juega como recurso poético-histórico para evocar los horrores de la guerra, partiendo del poema titulado "Penúltima nostalgia" en Grado elemental que, a su vez, será el punto de partida para conocer otros poemas de González donde la música es también empleada como elemento simbólico. [ABSTRACT FROM AUTHOR]

: Copyright of Sinfonia Virtual is the property of Sinfonia Virtual and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

المؤلفون: Roni Granot, Daniel H. Spitz, Boaz R. Cherki, Psyche Loui, Renee Timmers, Rebecca S. Schaefer, Jonna K. Vuoskoski, Ruth-Nayibe Cárdenas-Soler, João F. Soares-Quadros, Shen Li, Carlotta Lega, Stefania La Rocca, Isabel Cecilia Martínez, Matías Tanco, María Marchiano, Pastora Martínez-Castilla, Gabriela Pérez-Acosta, José Darío Martínez-Ezquerro, Isabel M. Gutiérrez-Blasco, Lily Jiménez-Dabdoub, Marijn Coers, John Melvin Treider, David M. Greenberg, Salomon Israel

المساهمون: Granot, R, Spitz, D, Cherki, B, Loui, P, Timmers, R, Schaefer, R, Vuoskoski, J, Cardenas-Soler, R, Soares-Quadros, J, Li, S, Lega, C, La Rocca, S, Martinez, I, Tanco, M, Marchiano, M, Martinez-Castilla, P, Perez-Acosta, G, Martinez-Ezquerro, J, Gutierrez-Blasco, I, Jimenez-Dabdoub, L, Coers, M, Treider, J, Greenberg, D, Israel, S, Apollo - University of Cambridge Repository

المصدر: SEDICI (UNLP)
Universidad Nacional de La Plata
instacron:UNLP
Frontiers in Psychology, 12. Frontiers Media SA
Frontiers in Psychology
Frontiers in Psychology, Vol 12 (2021)

مصطلحات موضوعية: lcsh:BF1-990, Computer-assisted web interviewing, nostalgia, 050105 experimental psychology, Entertainment, 03 medical and health sciences, 0302 clinical medicine, wellbeing, individualistic and collectivistic culture, medicine, gender, Psychology, 0501 psychology and cognitive sciences, music, Social isolation, General Psychology, Original Research, 05 social sciences, Socialization, Collectivism, COVID-19, individualistic and collectivistic cultures, Distress, lcsh:Psychology, Mood, age, Well-being, mood regulation, medicine.symptom, Social psychology, 030217 neurology & neurosurgery, Música

الوصف: Music can reduce stress and anxiety, enhance positive mood, and facilitate social bonding. However, little is known about the role of music and related personal or cultural (individualistic vs. collectivistic) variables in maintaining wellbeing during times of stress and social isolation as imposed by the COVID-19 crisis. In an online questionnaire, administered in 11 countries (Argentina, Brazil, China, Colombia, Italy, Mexico, the Netherlands, Norway, Spain, the UK, and USA, N = 5,619), participants rated the relevance of wellbeing goals during the pandemic, and the effectiveness of different activities in obtaining these goals. Music was found to be the most effective activity for three out of five wellbeing goals: enjoyment, venting negative emotions, and self-connection. For diversion, music was equally good as entertainment, while it was second best to create a sense of togetherness, after socialization. This result was evident across different countries and gender, with minor effects of age on specific goals, and a clear effect of the importance of music in people's lives. Cultural effects were generally small and surfaced mainly in the use of music to obtain a sense of togetherness. Interestingly, culture moderated the use of negatively valenced and nostalgic music for those higher in distress.
Laboratorio para el Estudio de la Experiencia Musical

وصف الملف: application/pdf; application/zip; text/xml

URL الوصول: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::abb915e49f7ad1262ba2ec1963a03db4
http://sedici.unlp.edu.ar/handle/10915/125953

المؤلفون: Diogo França Tomaz Aquino

المساهمون: Bruno Souza Leal, Lucia Santa Cruz, Carlos Magno Camargos Mendonça, Guilherme Augusto de Castro Soares

المصدر: Repositório Institucional da UFMG
Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG

مصطلحات موضوعية: Nostalgia, YouTube, 80s, Paisagem, Landscape, Anos oitenta, Synthwave, Music, Música

الوصف: CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior Este trabalho consiste em um conjunto de reflexões tecidas a partir de experiências encontradas do canal de YouTube Mitch Murder. Partimos da caracterização do canal, do musicista que o gerencia, das publicações e da proposta imagético-musical synthwave. O canal Mitch Murder apresenta publicações audiovisuais, além de comentários e outros textos verbais. Quase todas as produções audiovisuais envolvem peças musicais de synthwave e referências diversas à cultura pop do Norte global. Comentadores das publicações frequentemente associam-nas à década de oitenta, ainda que as produções tenham se conformado nas duas primeiras décadas do século vinte e um, e que as referências que carregam também não estejam contidas nos anos oitenta. Percebemos assim uma quebra de referencialidade do termo 80s na disjunção entre o período histórico e as diversas entidades emergentes nas publicações do canal. Tentando entender melhor o que seria esse conjunto heterogêneo de elementos, construimos e adotamos a noção de paisagem como uma categoria interpretativa — espacialidade coabitada por agentes humanos e não-humanos, passível de ser experienciada a partir de múltiplos traçados e perspectivas. Por fim, retomamos a questão da referencialidade e discutimos até que ponto a noção de nostalgia é potente para abordar o rótulo de “anos oitenta” do canal Mitch Murder, apontando suas fraquezas e outras possibilidades deixadas de lado quando a enfatizamos. This work consists of a series of reflecions woven from multiple experiences found in Mitch Murder, a YouTube channel. We start characterizing the channel itself, the musician by whom it is managed, its publications and the musical–imagetic proposition of synthwave. The Mitch Murder channel offers audiovisual publications, in addition to YouTube comments and other verbal texts. Almost every audiovisual publication involves synthwave musical pieces and a myriad of references to pop culture coming from North of the globe. YouTube commentators frequently associate productions with the 1980s, even though they were created in the twenty-first century, and carry references arising from other decades. Thus we noticed a referentiality breach over the term 80s, caused by the disjunction between the historical period and the multiple entities emerging from the channel’s publications. Trying to better understand what would be that heterogeneous set of elements, we built and adopted the notion of landscape as a interpretative category, a spaciality that can be experienced through multiple perspectives, and in which dwell human and inhumane agents. Finally, we resume the question of referentiality and discuss to what extent the idea of nostalgia is sufficiently strong to address the “80s” tag found in the Mitch Murder channel, pointing out its weaknesses and other possibilities left beside when we emphasize it.

URL الوصول: https://explore.openaire.eu/search/publication?articleId=od______3056::1ea5e72915e19844edad3aae04eeead0

المؤلفون: Saldívar Arellano, Juan Manuel

المصدر: Chungará (Arica), Volume: 50, Issue: 3, Pages: 501-512, Published: SEP 2018

مصطلحات موضوعية: transnacionalización, Chiloé-Río Gallegos, music, música, transnationalization, nostalgia, Lived migration, migración vivida

الوصف: Resumen: El artículo se enfoca en mostrar hallazgos etnográficos de la nostalgia manifestada desde la migración vivida entre comunidades transnacionales chilotas ensambladas en Punta Arenas, (Chile) y Río Gallegos (Argentina). Describe la incorporación de elementos culturales vinculados a la formación de comunidades, circulación de mercancías y extensión de significados entre lugares de origen y residencia. Hace énfasis en la representación de la música popular de Chiloé como categoría de análisis e interpretación de experiencias migratorias y ensamblajes multisituados. Esto permite la reflexión de metodologías en movimiento y localización de contextos interactuados multigeográficos. Abstract: The article centers around ethnographic findings of nostalgia from the lived migration between Chilote transnational communities assembled in Punta Arenas (Chile) and Río Gallegos, Argentina. It describes the incorporation of cultural elements linked to the formation of communities, goods circulation, and meanings extension between places of origin and destination. It emphasizes the representation of popular music in Chiloé as a category of analysis and interpretation to understand migratory experiences and multi-centered assemblages. This allows the reflection of methodologies in movement (multilocal ethnography) and localization of multigeographic interacted contexts.

وصف الملف: text/html

URL الوصول: https://explore.openaire.eu/search/publication?articleId=od_______614::525bf4d2ff34a209484e81ead3e924fa
http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0717-73562018000300501&lng=en&tlng=en

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