يعرض 1 - 10 نتائج من 46 نتيجة بحث عن '"GIUBILARO, Chiara"', وقت الاستعلام: 1.88s تنقيح النتائج
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    كتاب إلكتروني

    المؤلفون: Giubilaro, ChiaraAff17, Picone, MarcoAff18

    المساهمون: Alesi, Marianna, Series EditorAff1, Amenta, Carlo, Series EditorAff2, Di Paola, Francesco, Series EditorAff3, Mocciaro Li Destri, Arabella, Series EditorAff4, Riva Sanseverino, Eleonora, Series EditorAff5, Russo, Antonio, Series EditorAff6, Sanfilippo, Giuseppe, Series EditorAff7, Öchsner, Andreas, Series EditorAff8, Piva, Mariacristina, Series EditorAff9, Seel, Norbert M., Series EditorAff10, Maresca, Bruno, Series EditorAff11, Laghi, Andrea, Series EditorAff12, Lo Piccolo, Francesco, editorAff13, Mangiaracina, Annalisa, editorAff14, Paternostro, Giuseppe, editorAff15, Todaro, Vincenzo, editorAff16

    المصدر: In and Out: Rights of Migrants in the European Space. :93-107

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    كتاب إلكتروني

    المؤلفون: Picone, MarcoAff6, Giubilaro, ChiaraAff6

    المساهمون: Napoli, Grazia, editorAff1, Mondini, Giulio, editorAff2, Oppio, Alessandra, editorAff3, Rosato, Paolo, editorAff4, Barbaro, Simona, editorAff5

    المصدر: Values, Cities and Migrations : Real Estate Market and Social System in a Multi-cultural City. :79-91

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    دورية أكاديمية
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    دورية أكاديمية
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    كتاب إلكتروني

    المؤلفون: Giubilaro, ChiaraAff3

    المساهمون: Proglio, Gabriele, editorAff1, Odasso, Laura, editorAff2

    المصدر: Border Lampedusa : Subjectivity, Visibility and Memory in Stories of Sea and Land. :103-117

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    المساهمون: Varotto, M, Rabbiosi, C, Cisani, M, Crobe, Stefania, Giubilaro, Chiara, Prestileo, Federico

    مصطلحات موضوعية: Within this framework, Palermo and its historic center are no exception. The epicenter of these processes is represented here by the Kalsa district, which since the early 2000s has been placed at the center of a precise strategy of culturally-based renewal called to drive the city's tourist renaissance (Vinci 2008). The culmination of this path came in 2018, when Palermo was named the Italian capital of culture and chosen as the venue for Manifesta, one of the most prestigious traveling biennales of contemporary art. However, the exponential increase in tourist arrivals in the last three years came to a halt with the outbreak of the pandemic, which showed with unprecedented evidence the contradictions of the development strategies pursued in the historic center and the marks they leave on the territories. While this sudden interruption seems to offer an opportunity to radically rethink urban and cultural policies and find new curbs to the conditions of overtourism in which the historic centers of South European cities and beyond find themselves, it could also prove to be an accelerator of the dynamics of commodification of these spaces, representing the revival of tourism an easy escape route in times of crisis. The objective of this contribution is to critically explore the urban and social transformations that have crossed the Kalsa district of Palermo from the 2000s to the present, using qualitative and quantitative techniques (analysis of statistical data, in-depth interviews, critical discourse analysis, ...), with particular reference to the role that culture has played in these processes. While it is impossible to prefigure post-pandemic scenarios, we will examine documents and discourses that trace possible development directions for South European cities and their historic centers, Settore ICAR/21 - Urbanistica, Settore M-GGR/01 - Geografia

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    المؤلفون: Crobe, Stefania, Giubilaro, Chiara

    المساهمون: Gospodini, A, Crobe, Stefania, Giubilaro, Chiara

    مصطلحات موضوعية: Olsen, 2018, Settore ICAR/21 - Urbanistica, Settore M-GGR/01 - Geografia, Sacco and Blessi, 2009). In the current (post-) pandemic context and through the lens of a southern European perspective, the purpose of this article is to critically reflect about the role of culture as possible vehicle of urban and community regeneration. In particular, we will focus on the activities of the no profit organization «Laboratorio Zen Insieme» in ZEN2, one of the last large popular and peripheral neighborhoods built in Palermo at the end of 80s, in order to explore and understand how cultural practices work as agent of urban and social transformation capable of addressing emerging issues, especially in the pandemic scenario we are experiencing. Thecasestudy has been conducted through analysis of documents, participative observations (Honer and Hitzler, 2015), and qualitative in-depth interviews with key actors involved in the conception, organization and management of the activities carried out by Laboratorio Zen Insieme, with representatives of local institutions and non-formal conversations with participants of the workshops heldin the neighborhood. The experience we narrate finds that cultural practices have re-conceptualized their design and functions as strategies of urban and community regeneration and at the same time have contributed to answer to emergent issues in developing proximity and local based strategies, facing up to problems inherent civil rights, educationalpoverty, socio-spatial justice and have changed the image and identity of urban places they inhabit.In this sense, the research provides a framework for development of strategies and legitimization for cultural practices and a point of discussionabouttheirrolein urban development, Although all cities in the world have been affected by the COVID-19 pandemic, its impacts on the territories, yet to be understood, are unevenly distributed, revealing extremely varied imbalances depending on the places. However, it is clear that the virus and its variants have aggravated pre-existing socio-spatial inequalities, creating new ones and bringing attention back to those implications between space, planning, public health and citizenship that are at the origins of contemporary urbanism. In a reference framework in which the crisis is globalized but unequal and in the absence of a welfare system capable of responding to the urgencies of the most marginalized social contexts and groups, a response to the new social and individual needs has been offered by cultural institutions that play a role of territorial agency, often independently or in the absence of political institutions. Far from the idea of entertainment and divertissement, it is in fact increasingly clear how the practices of cultural innovation, experimenting with various forms of action and participation, can in some cases play a fundamental role in the processes of social cohesion and community building, representing an antidote to the worsening of the phenomena of marginalization and socio-spatial inequalities within cities and territories (Colantonio and Dixon, 2011

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