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1دورية أكاديمية
المؤلفون: Ida Porfido
المصدر: MediAzioni, Vol 35, Pp A91-A106 (2022)
مصطلحات موضوعية: theatrical translation, collaborative translation, contemporary french dramaturgy, olivier cadiot, fairy queen, stylistic analysis, Language. Linguistic theory. Comparative grammar, P101-410, Communication. Mass media, P87-96
وصف الملف: electronic resource
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2دورية أكاديمية
المؤلفون: Ida Porfido
المصدر: Revue Italienne d'Etudes Françaises, Vol 5 (2015)
مصطلحات موضوعية: Vasset Philippe, littérature française de l’extrême-contemporain, écriture spatiale, enquête périurbaine, texte-performance, géographie parallèle, French literature - Italian literature - Spanish literature - Portuguese literature, PQ1-3999
وصف الملف: electronic resource
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3دورية أكاديمية
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4دورية أكاديمية
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5
المؤلفون: Madina, Tlostanova, Giulia Maria Gallotta, Roberto, Pellerey, Chiara, Olivieri, Patrizia, Calefato, Cíntia Sanmartin Fernandes, Micael, Herschmann, Marco, Modenesi, Claudia, Attimonelli, Elena Fusar Poli, Alessia, Polatti, Roberto, Rossi, Ferlito, Alessandra, Mirco, Vannoni, Eleonora, Chiais, Lorenzo, Maida, Maria Giulia Laddago, María Aparisi Galán, Gabriele, Forte, Abu Qadim Haqq, Annarita, Taronna, Christopher, Larkosh-Lenotti, Aminat Emma Badmus, Ida, Porfido
مصطلحات موضوعية: opening the colonial archives, limits and possibilities I have detected as a co-curator. My “enunciation” is situated in the interiority of an unperfect West (Cazzato 2019) and it employs the concept of curating as a practice of hospitality. In addition, Tlostanova 2006). The premise of my investigation is that we need to move beyond decolonization,
This paper chronichles a curatorial experience based in Naples: the intercultural workshop of urban photography entitled Crossing Sights, started in November 2019 and still active. Rather than analysing the phases of the laboratory in a punctual and exhaustive fashion, the paper aims at commenting on the criticalities, limits and possibilities I have detected as a co-curator. My “enunciation” is situated in the interiority of an unperfect West (Cazzato 2019) and it employs the concept of curating as a practice of hospitality. In addition, it argues that the “decolonial curating” is an anti-racist practice of “listening” (Bayer, Kazeem-Kamiński, Sternfeld 2018) that is open to the "epistemic diversity" and to the "pluriversality" (Mignolo & Tlostanova 2006). The premise of my investigation is that we need to move beyond decolonization, towards "decolonialisation" (Borghi 2020). Born into the modern-western thought, curating can reply to this call by proposing itself as an exercise of deconstruction of "whiteness". The goal of curating should be to consider art as something different from modernist notions, therefore trying to work curatorially means to activate such work in terms of contents, opening the colonial archives, epistemics "de-linking" from modernity and “epistemic disobedience”, and ethics, positioning oneself and practicing self-critique. Central to the investigation is the main theme of Crossing Sights: "Neapolitanity", a label which serves the predatory objectives of capitalism and globalization. A trap that the laboratory has tried to criticize by adopting/embracing/employing the point of view of "others", and by shifting the attention from aesthetics to "aesthesis" (Mignolo 2019). Finally, while commenting on the strategy adopted in order to overcome the "coloniality", I suggest curating as a decolonial exercise generating gestures of anti-racist hospitality, that may help to think decolonially, started in November 2019 and still active. Rather than analysing the phases of the laboratory in a punctual and exhaustive fashion, towards "decolonialisation" (Borghi 2020). Born into the modern-western thought, the paper aims at commenting on the criticalities, curating, coloniality, decolonial, whiteness, Hospitality, anti-racism, curatela, colonialità, decoloniale, bianchezza, ospitalità, anti-razzismo, therefore trying to work curatorially means to activate such work in terms of contents, positioning oneself and practicing self-critique. Central to the investigation is the main theme of Crossing Sights: "Neapolitanity", a label which serves the predatory objectives of capitalism and globalization. A trap that the laboratory has tried to criticize by adopting/embracing/employing the point of view of "others", and ethics, that may help to think decolonially, Sternfeld 2018) that is open to the "epistemic diversity" and to the "pluriversality" (Mignolo &, curating can reply to this call by proposing itself as an exercise of deconstruction of "whiteness". The goal of curating should be to consider art as something different from modernist notions, This paper chronichles a curatorial experience based in Naples: the intercultural workshop of urban photography entitled Crossing Sights, it argues that the “decolonial curating” is an anti-racist practice of “listening” (Bayer, I suggest curating as a decolonial exercise generating gestures of anti-racist hospitality, Kazeem-Kamiński, while commenting on the strategy adopted in order to overcome the "coloniality", and by shifting the attention from aesthetics to "aesthesis" (Mignolo 2019). Finally, epistemics "de-linking" from modernity and “epistemic disobedience” URL الوصول: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::cfc741eeee703ab84cb27b8e8f258f63
http://hdl.handle.net/11574/208617 -
6
المؤلفون: Ida Porfido
المصدر: Studi Francesi. :278-285
مصطلحات موضوعية: Cultural Studies, History, Literature and Literary Theory, media_common.quotation_subject, Italian language, French, Art, language.human_language, Style (visual arts), Pathos, language, Humanities, Hindsight bias, media_common
URL الوصول: https://explore.openaire.eu/search/publication?articleId=doi_________::29ab7220ff8b61ec75054b7d2575ce43
https://doi.org/10.4000/studifrancesi.12629 -
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8
المؤلفون: Ida Porfido, Walter Redfern
المصدر: The Modern Language Review. 96:196
مصطلحات موضوعية: Linguistics and Language, Literature and Literary Theory, Language and Linguistics
URL الوصول: https://explore.openaire.eu/search/publication?articleId=doi_________::9b3d6326ac788a96cf5fa70457287700
https://doi.org/10.2307/3735770 -
9
المؤلفون: LEOPIZZI, Marcella
المساهمون: Alfonsina Debenedetto Ida Porfido Ugo Serani, Leopizzi, Marcella
وصف الملف: STAMPA
URL الوصول: https://explore.openaire.eu/search/publication?articleId=od______4034::a049572c58c8b5c7bf9154219435f7a7
https://hdl.handle.net/11587/414141