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1دورية أكاديمية
المؤلفون: Kuttner, Ann
المصدر: California Italian Studies. 6(1)
وصف الملف: application/pdf
URL الوصول: https://escholarship.org/uc/item/86b5s4nm
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2دورية أكاديمية
المؤلفون: Kuttner, Ann L.
المصدر: Transactions of the American Philological Association (1974-), 1999 Jan 01. 129, 343-373.
URL الوصول: https://www.jstor.org/stable/284436
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3دورية أكاديمية
لا يتم عرض هذه النتيجة على الضيوف.
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4كتاب إلكتروني
المؤلفون: Kuttner, Ann, author
المصدر: Housing the New Romans : Architectural Reception and Classical Style in the Modern World, 2017, ill.
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5كتاب
المؤلفون: Kuttner, Ann L.
مصطلحات موضوعية: Boscoreale Cups., Silverwork -- Rome.
جغرافية الموضوع: Rome -- History -- Augustus, 30 B.C.-14 A.D.
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6دورية أكاديمية
المؤلفون: KUTTNER, ANN
المصدر: Studies in the History of Art, 1999 Jan 01. 56, 96-123.
URL الوصول: https://www.jstor.org/stable/42622235
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7دورية أكاديمية
المؤلفون: Kuttner, Ann
المصدر: Harvard Studies in Classical Philology, 1995 Jan 01. 97, 157-178.
URL الوصول: https://www.jstor.org/stable/311304
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8كتاب
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9دورية
المؤلفون: Kuttner, Ann
المصدر: Journal of Roman Archaeology; June 2022, Vol. 35 Issue: 1 p539-552, 14p
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المؤلفون: Antiquarianism, Roman Antiquity and, Jest, Culus mundi: the Roman Colosseum in Early Modern, Yawn, Lila Elizabeth, Tortured Image: The Biography of Lucullus' Dying Hercules, A, Kuttner, Ann, Of Plaster Casts, Monks: Images of Cultural Heritage in Risorgimento Italy Napoli, J. Nicholas, The Nymph in the Doorway: Revisiting a. Central Motif of Aby Warburg’s Study of Culture Burroughs, Charles, Fascismo e. classicità: il recupero iconografico delle opere d'arte non romane a. fini propagandistici nell'Italia m. u. s. s. o. l. i. n. i. a. n. a. Giorio, Maria Beatrice, Art, The Life, Afterlife of Medieval, Nepi, Multisensory Memories, Monastic Identity at Sant’Elia near, Perchuk, Alison Locke, Trastevere, The Image of a. Building: Santa Maria in, Kinney, Dale, Madonnas, The Lives, Afterlives of Shrine, Gertsman, Elina, Guglielmite Trinity, A, Caciola, Nancy Mandeville, of Dante, The Cult, Portraiture, Textual Physiognomy: A. New Theory, Brief History of Dantean, Reid, Joshua, States, Fragments of Freedom: Dante's Relic in the Re United, Raffa, Guy P., Identities, Images and, World, Body Politics, Mythic Figures: Andrea Doria in the Mediterranean, Gorse, George Lawrence, Solving the Mystery of the Sitter in Bartolomeo Veneto’s Portrait of a. Lady in a. Green Dress Sizonenko, Tatiana, Michelangelo's Medici Chapel, its Aftermath: Scattered Bodies, Florentine Identities under the Duchy Lazzaro, Claudia, Marinetti's Vocalization, F. T., Mather, David, Artistic, Tradition, Feminine Legacy in Elena Ferrante’s L’amore molesto Milkova, Stiliana, That Hateful Tail: The Sirena as Figure for Disability in Italian Literature, Beyond Noson, Kate, Regarding the Pain of Others: Migrant Self Narration, Participatory Filmmaking, Photographs, Fixity, Flexibility, Of, Generazionale, Paesaggi i. n. f. o. r. m. a. l. i. Immagini per un album, Doti, Gerardo, Visuale, Guardare Venezia: la città come dispositivo, Parmeggiani, Paolo, Exemplification, Between Irons, Bones, Stones, Repetition, Variation, Williams, Robert, Briatore, Samuele
مصطلحات موضوعية: Phonurgia Nova, Athanasius Kircher, Acoustic, Theater of Jesuit, Seventeenth Century, Baroque
URL الوصول: https://explore.openaire.eu/search/publication?articleId=od______3686::67adb37581344f65c5376aabc28e43b1
http://hdl.handle.net/11573/924687