المؤلفون: Maria Giulia Laddago

المصدر: Altre Modernità (2022)

مصطلحات موضوعية: poesia, spoken word, performance, connessione, Kae Tempest, Language and Literature, Literature (General), PN1-6790

وصف الملف: electronic resource

Relation: https://riviste.unimi.it/index.php/AMonline/article/view/18691; https://doaj.org/toc/2035-7680

URL الوصول: https://doaj.org/article/0a2dcf975e42426c83ab9ac2a140a99a

المؤلفون: Madina, Tlostanova, Giulia Maria Gallotta, Roberto, Pellerey, Chiara, Olivieri, Patrizia, Calefato, Cíntia Sanmartin Fernandes, Micael, Herschmann, Marco, Modenesi, Claudia, Attimonelli, Elena Fusar Poli, Alessia, Polatti, Roberto, Rossi, Ferlito, Alessandra, Mirco, Vannoni, Eleonora, Chiais, Lorenzo, Maida, Maria Giulia Laddago, María Aparisi Galán, Gabriele, Forte, Abu Qadim Haqq, Annarita, Taronna, Christopher, Larkosh-Lenotti, Aminat Emma Badmus, Ida, Porfido

مصطلحات موضوعية: opening the colonial archives, limits and possibilities I have detected as a co-curator. My “enunciation” is situated in the interiority of an unperfect West (Cazzato 2019) and it employs the concept of curating as a practice of hospitality. In addition, Tlostanova 2006). The premise of my investigation is that we need to move beyond decolonization, This paper chronichles a curatorial experience based in Naples: the intercultural workshop of urban photography entitled Crossing Sights, started in November 2019 and still active. Rather than analysing the phases of the laboratory in a punctual and exhaustive fashion, the paper aims at commenting on the criticalities, limits and possibilities I have detected as a co-curator. My “enunciation” is situated in the interiority of an unperfect West (Cazzato 2019) and it employs the concept of curating as a practice of hospitality. In addition, it argues that the “decolonial curating” is an anti-racist practice of “listening” (Bayer, Kazeem-Kamiński, Sternfeld 2018) that is open to the "epistemic diversity" and to the "pluriversality" (Mignolo & Tlostanova 2006). The premise of my investigation is that we need to move beyond decolonization, towards "decolonialisation" (Borghi 2020). Born into the modern-western thought, curating can reply to this call by proposing itself as an exercise of deconstruction of "whiteness". The goal of curating should be to consider art as something different from modernist notions, therefore trying to work curatorially means to activate such work in terms of contents, opening the colonial archives, epistemics "de-linking" from modernity and “epistemic disobedience”, and ethics, positioning oneself and practicing self-critique. Central to the investigation is the main theme of Crossing Sights: "Neapolitanity", a label which serves the predatory objectives of capitalism and globalization. A trap that the laboratory has tried to criticize by adopting/embracing/employing the point of view of "others", and by shifting the attention from aesthetics to "aesthesis" (Mignolo 2019). Finally, while commenting on the strategy adopted in order to overcome the "coloniality", I suggest curating as a decolonial exercise generating gestures of anti-racist hospitality, that may help to think decolonially, started in November 2019 and still active. Rather than analysing the phases of the laboratory in a punctual and exhaustive fashion, towards "decolonialisation" (Borghi 2020). Born into the modern-western thought, the paper aims at commenting on the criticalities, curating, coloniality, decolonial, whiteness, Hospitality, anti-racism, curatela, colonialità, decoloniale, bianchezza, ospitalità, anti-razzismo, therefore trying to work curatorially means to activate such work in terms of contents, positioning oneself and practicing self-critique. Central to the investigation is the main theme of Crossing Sights: "Neapolitanity", a label which serves the predatory objectives of capitalism and globalization. A trap that the laboratory has tried to criticize by adopting/embracing/employing the point of view of "others", and ethics, that may help to think decolonially, Sternfeld 2018) that is open to the "epistemic diversity" and to the "pluriversality" (Mignolo &, curating can reply to this call by proposing itself as an exercise of deconstruction of "whiteness". The goal of curating should be to consider art as something different from modernist notions, This paper chronichles a curatorial experience based in Naples: the intercultural workshop of urban photography entitled Crossing Sights, it argues that the “decolonial curating” is an anti-racist practice of “listening” (Bayer, I suggest curating as a decolonial exercise generating gestures of anti-racist hospitality, Kazeem-Kamiński, while commenting on the strategy adopted in order to overcome the "coloniality", and by shifting the attention from aesthetics to "aesthesis" (Mignolo 2019). Finally, epistemics "de-linking" from modernity and “epistemic disobedience”

URL الوصول: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::cfc741eeee703ab84cb27b8e8f258f63
http://hdl.handle.net/11574/208617