يعرض 1 - 6 نتائج من 6 نتيجة بحث عن '"female anger"', وقت الاستعلام: 1.23s تنقيح النتائج
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    مورد إلكتروني

    عناروين إضافية: Raging Piggy: Fatphobia and anger in Cerdita (Carlota Pereda, 2022)

    المؤلفون: Maseda García, Rebeca

    المصدر: Teknokultura. Journal of Digital Culture and Social Movements; Vol. 21 No. 1 (2024): Right to rage: Subjectivity and activism; 29-37; Teknokultura. Revista de Cultura Digital y Movimientos Sociales; Vol. 21 Núm. 1 (2024): Con derecho a la rabia: Subjetividad y activismo; 29-37; Teknokultura. Revista de Cultura Digital e Movimentos Sociais; v. 21 n. 1 (2024): Con derecho a la rabia: Subjetividad y activismo; 29-37; 1549-2230

    URL: https://revistas.ucm.es/index.php/TEKN/article/view/88989
    https://revistas.ucm.es/index.php/TEKN/article/view/88989/4564456568280
    https://revistas.ucm.es/index.php/TEKN/article/view/88989/4564456568280
    *ref*/Bartky, Sandra Lee (1990). Femininity and domination: Studies in the phenomenology of oppression. Routledge. Belinchon, Gregorio (2022, January). ‘Cerdita’, una película sobre el acoso a las adolescentes obesas y una oda a la diferencia. El País. https://elpais.com/cultura/2022-01-25/cerdita-unapelicula-sobre-el-acoso-a-las-adolescentesobesas-y-una-oda-a-la-diferencia.html?event_log=oklogin [last accessed, May 18, 2023]. Bourdieu, Pierre (1984). Distinction: A social critique of the judgement of taste [trans. Richard Nice]. Harvard University Press. Bordo, Susan (1993). Unbearable weight: Feminism, Western culture, and the body. University of California Press. Castejón Leorza, María and Maseda García, Rebeca (2018). Carmina o revienta and Carmina y amén: Female Transgressions of Victimhood in Spanish Popular Cinema. In María José Gámez Fuentes and Rebeca Maseda García (Eds.), Gender and violence in Spanish culture: From vulnerability to accountability (pp. 195-211). Peter Lang. CIMA (2023, January). Proyección de ‘Cerdita’, de Carlota Pereda https://cimamujerescineastas.es/proyeccion-de-cerdita-de-carlota-pereda/#:~:text=Mar%C3%ADa Soler es la supervisora,de producci%C3%B3n%2C est%C3%A1 Sara Garc%C3%ADa [last accessed, May 11, 2023]. Clover, Carol. J. (1992). Men, women and chainsaws. B.F.I. Pub. Clover, Carol J. (1987). Her body, himself: Gender in the slasher film. Representations, special issue: Misogyny, misandry, and misanthropy. University of California Press, 20, 187-228. https://doi.org/10.2307/2928507 Cooper, Brittney (2018). Eloquent rage. A black feminist discovers her super powers [Audible]. Picador. De Palma, Brian (1976). Carrie [Film]. United Artists Corp. Dobson, Amy Shields and Kanai, Akane (2019). From ‘can-do’ girls to insecure and angry: Affective dissonances in young women’s post-recessional media. Feminist Media Studies, 19(6), 771–786. https://doi.org/10.1080/14680777.2018.1546206 Elias, Ana Sofía and Gill, Rosalind (2017). Beauty surve

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