يعرض 1 - 7 نتائج من 7 نتيجة بحث عن '"mayas clásicos"', وقت الاستعلام: 0.82s تنقيح النتائج
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    المؤلفون: Stephen D. Houston

    المصدر: Revista Española de Antropología Americana; Vol. 49 Núm. Especial (2019): En memoria de Alfonso Lacadena García-Gallo (2019); 225-240
    Revista Española de Antropología Americana; Vol 49 No Especial (2019): En memoria de Alfonso Lacadena García-Gallo (2019); 225-240
    Revistas Científicas Complutenses
    Universidad Complutense de Madrid (UCM)
    Revista Española de Antropología Americana; Vol. 49 No. Especial (2019): En memoria de Alfonso Lacadena García-Gallo (2019); 225-240

    وصف الملف: application/pdf

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    مورد إلكتروني

    عناروين إضافية: Ingenio y ambivalencia en la escritura maya

    المصدر: Revista Española de Antropología Americana; Vol. 49 No. Especial (2019): En memoria de Alfonso Lacadena García-Gallo (2019); 225-240; Revista Española de Antropología Americana; Vol. 49 Núm. Especial (2019): En memoria de Alfonso Lacadena García-Gallo (2019); 225-240; 1988-2718; 0556-6533

    URL: https://revistas.ucm.es/index.php/REAA/article/view/64968
    https://revistas.ucm.es/index.php/REAA/article/view/64968/4564456551605
    https://revistas.ucm.es/index.php/REAA/article/view/64968/4564456551605
    *ref*/Andrews, E. Wyllys. 1943. The Archaeology of Southwestern Campeche. Carnegie Institution of Washington 546. Washington, D.C.: Carnegie Institution of Washington.
    *ref*/Barrera Vásquez, Alfredo, Juan Ramón Bastarrachea and William Brito Sansores, eds. 1980. Diccionario Maya-Español, Español-Maya. Mérida: Ediciones Cordemex.
    *ref*/Boot, Erik. 2008. «At the Court of Itzam Nah Yax Kokaj Mut: Preliminary Iconographic and Epigraphic Analysis of a Late Classic Vessel». http://www.mayavase.com/God-D-Court-Vessel.pdf.
    *ref*/Caminos, Ricardo. 1976. The Recording of Inscriptions and Scenes in Tombs and Temples. New York: Metropolitan Museum of Art.
    *ref*/Christenson, Allen J. 2007. Popol Vuh: The Sacred Book of the Maya. Norman: University of Oklahoma Press.
    *ref*/Coe, Michael D. and Stephen Houston. 2015. The Maya. 9th edition. London: Thames and Hudson.
    *ref*/Cooley, Alison E. 2012. The Cambridge Manual of Latin Epigraphy. Cambridge: Cambridge University Press.
    *ref*/Flier, Michael S. 2008. «Church of Intercession on the Moat / St. Basil’s Cathedral», in Picturing Russia: Explorations in Visual Culture, Valerie A. Kivelson and Joan Neuberger, eds., pp. 42–46. New Haven: Yale University Press.
    *ref*/Graham, Ian. 1975. Corpus of Maya Hieroglyphic Inscriptions, Volume 1: Introduction. Cambridge: Peabody Museum of Archaeology and Ethnology, Harvard University.
    *ref*/Graham, Ian. 1982. Corpus of Maya Hieroglyphic Inscriptions, Volume 3, Part 1: Yaxchilan. Cambridge: Peabody Museum of Archaeology and Ethnology, Harvard University.
    *ref*/Griffiths, J. Gwyn. 1971. «‘Arepo’ in the Magic ‘Sator’ Square». The Classical Review 21: 6–8.
    *ref*/Grube, Nikolai. 1998. «Speaking through Stones: A Quotative Particle in Maya Hieroglyphic Inscriptions», in 50 años de estudios americanistas en la Universidad de Bonn, Sabine Dedenbach-Salazar Sáenz, Carmen Arellano Hoffmann, Eva Konig and Heiko Prumers, eds., pp. 543–58. Markt Schwaben: Verlag Anton Sauerwein.
    *ref*/Hopkins, Nicholas A., J. Kathryn Josserand and Ausencio Cruz Guzmán. 2011. A Historical Dictionary of Chol (Mayan): The Lexical Sources from 1789 to 1935. http://www.famsi.org/mayawriting/dictionary/hopkins/CholDictionary2010.pdf.
    *ref*/Houston, Stephen D. 1993. Hieroglyphs and History at Dos Pilas: Dynastic Politics of the Classic Maya. Austin: University of Texas Press.
    *ref*/Houston, Stephen D. 2014. «Monuments», in Life and Politics at the Royal Court of Aguateca: Artifacts, Analytical Data, and Synthesis, Takeshi Inomata and Daniela Triadan, eds., pp. 235–257. Aguateca Archaeological Project First Phase Monograph Series 3. Salt Lake City: University of Utah Press.
    *ref*/Houston, Stephen D. 2016a. «Crafting Credit: Authorship among Classic Maya Painters and Sculptors», in Making Value, Making Meaning: Techné in the Pre-Columbian World, Cathy L. Costin, ed., pp. 391–431. Washington, D.C.: Dumbarton Oaks Research Library and Collection.
    *ref*/Houston, Stephen D. 2016b. «Gladiatrix». Maya Decipherment: Ideas on Ancient Maya Writing and Iconography, https://decipherment.wordpress.com/2016/06/08/gladiatrix/.
    *ref*/Houston, Stephen D. 2018. The Gifted Passage: Young Men in Classic Maya Art and Text. New Haven: Yale University Press.
    *ref*/Houston, Stephen D. and David Stuart. 1993. «Multiple Voices in Maya Writing: Evidence for First- and Second-Person References». Paper presented at the 58th meeting of the Society for American Archaeology, St. Louis.
    *ref*/Houston, Stephen D. and David Stuart. 1996. «Of Gods, Glyphs, and Kings: Divinity and Rulership among the Classic Maya». Antiquity 70 (268): 289–312.
    *ref*/Houston, Stephen, David Stuart and Karl Taube. 2006. The Memory of Bones: Body, Being, and Experience among the Classic Maya. Austin: University of Texas Press.
    *ref*/Howse, Christopher. 2015. «Unique Ancient Sator-Rotas Word-Square Discovered». The Telegraph, 02 May 2015. https://www.telegraph.co.uk/comment/11579586/Unique-ancient-Sator-Rotas-word-square-discovered.html.
    *ref*/Hull, Kerry M. 2016. A Dictionary of Ch’orti’ Mayan-Spanish-English. Salt Lake City: University of Utah Press.
    *ref*/Hull, Kerry, Michael D. Carrasco and Robert Wald. 2009. «The First-Person Singular Independent Pronoun in Classic Ch’olan». Mexicon XXXI (2): 36–43.
    *ref*/Johnston, Kevin. 2001. «Broken Fingers: Classic Maya Capture and Polity Consolidation». Antiquity 75 (288): 373–381.
    *ref*/Kaufman, Terrence S. and William M. Norman. 1984. «An Outline of Proto-Cholan Phonology, Morphology, and Vocabulary», in Phoneticism in Mayan Hieroglyphic Writing, John S. Justeson and Lyle Campbell, eds., pp. 77–166. Institute for Mesoamerican Studies 9. Albany: State University of New York.
    *ref*/Last, Hugh. 1952. «The Rotas-Sator Square: Present Position and Future Prospects». Journal of Theological Studies 3 (1): 92–97.
    *ref*/Law, Danny. 2014. Language Contact, Inherited Similarity and Social Difference: The Story of Linguistic Interaction in the Maya Lowlands. Amsterdam: John Benjamins.
    *ref*/Marcus, Joyce. 1987. The Inscriptions of Calakmul: Royal Marriage at a Maya City in Campeche, Mexico. Technical Report 21. Ann Arbor: Museum of Anthropology, University of Michigan.
    *ref*/Martin, Simon. 2003. «Moral-Reforma y la contienda por el oriente de Tabasco». Arqueología Mexicana 61: 44–47.
    *ref*/Martin, Simon. 2014. The Classic Maya Polity: An Epigraphic Approach to Reconstructing a Pre-Hispanic Political System. Doctoral Thesis. University College London.
    *ref*/Martin, Simon and Nikolai Grube. 2008. Chronicle of the Maya Kings and Queens: Deciphering the Dynasties of the Ancient Maya. 2nd ed. London: Thames and Hudson.
    *ref*/Martin, Simon, Stephen Houston and Marc Zender. 2015. «Sculptors and Subjects: Notes on the Incised Text of Calakmul Stela 51». Maya Decipherment: Ideas on Ancient Maya Writing and Iconography, https://decipherment.wordpress.com/2015/01/07/sculptors-andsubjects-notes-on-the-incised-text-of-calakmul-stela-51/.
    *ref*/Miller, Mary. 2000. «Guerra y escultura maya: un argumento en favor del tributo artístico», in La guerra entre los antiguos mayas: Memoria de la Primera Mesa Redonda de Palenque, Silvia Trejo, ed., pp. 176–187. Mexico: CONACULTA, Instituto Nacional de Antropología e Historia.
    *ref*/Miller, Mary and Claudia Brittenham. 2013. The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak. Austin and Mexico: University of Texas Press, CONACULTA, Instituto Nacional de Antropología e Historia.
    *ref*/Miller, Mary and Simon Martin. 2004. Courtly Art of the Ancient Maya. San Francisco: Fine Arts Museum of San Francisco.
    *ref*/Mora-Marín, David F. 2009. «Reconstruction of Proto-Ch’olan Independent Pronouns: Grammaticalization and Evidence for Sociolinguistic Variation». Transactions of the American Philological Society 107 (1): 98–129.
    *ref*/Newman, Sarah, Stephen Houston, Thomas Garrison and Edwin Román. 2015. «Outfitting a Ruler», in Temple of the Night Sun: A Royal Tomb at El Diablo, Guatemala, Stephen Houston, Sarah Newman, Edwin Román and Thomas Garrison, eds., pp. 84–179. San Francisco: Precolumbia Mesoweb Press.
    *ref*/Pavón Abreu, Raúl. 1945. Morales, una importante ciudad arqueológica en Tabasco. Cuadernos 6. Campeche: Gobierno del Estado de Campeche.
    *ref*/Robertson, John, Stephen Houston, Marc Zender and David Stuart. 2007. Universals and the Logic of the Material Implication: A Case Study from Maya Hieroglyphic Writing. Research Reports on Ancient Maya Writing 62. Washington, D.C. and Austin: Center for Maya Research and the Mesoamerica Center, University of Texas at Austin.
    *ref*/Ruppert, Karl and John H. Denison, Jr. 1943. Archaeological Reconnaissance in Campeche, Quintana Roo, and Petén. Carnegie Institution of Washington 543. Washington, D.C.: Carnegie Institution of Washington.
    *ref*/Schele, Linda and Mary E. Miller. 1986. The Blood of Kings: Dynasty and Ritual in Maya Art. Fort Worth: Kimbell Art Museum.
    *ref*/Scholes, France V. and Ralph L. Roys. 1968. The Maya Chontal Indians of Acalan-Tixchel: A Contribution to the History and Ethnography of the Yucatan Peninsula. Norman: University of Oklahoma Press. [First published as 1948, Carnegie Institution of Washington 560].
    *ref*/Stone, Andrea J. 1995. Images from the Underworld: Naj Tunich and the Tradition of Maya Cave Painting. Austin: University of Texas Press.
    *ref*/Stuart, David. 1989. «Hieroglyphs on Maya Vessels», in The Maya Vase Book: A Corpus of Rollout Photographs of Maya Vases 1, Justin Kerr, ed. pp. 149–160. New York: Kerr Associates.
    *ref*/Stuart, David. 1998. «‘The Fire Enters His House’: Architecture and Ritual in Classic Maya Texts», in Function and Meaning in Classic Maya Architecture, Stephen D. Houston, ed., pp. 373–425. Washington, D.C.: Dumbarton Oaks Research Library and Collection.
    *ref*/Stuart, David and Stephen D. Houston. 1994. Classic Maya Place Names. Studies in Pre-Columbian Art and Archaeology 33. Washington, D.C.: Dumbarton Oaks.
    *ref*/Taube, Karl A. 2018. «Orígenes y simbolismo de la deidad del viento en Mesoamérica». Arqueología Mexicana 152: 34–39.
    *ref*/Taube, Karl and Marc Zender. 2009. «American Gladiators: Ritual Boxing in Ancient Mesoamerica», in Blood and Beauty: Organized Violence in the Art and Archaeology of Mesoamerica and Central America, Heather Orr and Rex Koontz, eds., pp. 161–220. Los Angeles: Cotsen Institute of Archaeology Press, University of California.
    *ref*/Turchi, Peter. 2014. A Muse and a Maze: Writing as Puzzle, Mystery, and Magic. San Antonio: Trinity University Press.
    *ref*/Vértes, Krisztián. 2014. Digital Epigraphy. Chicago: Epigraphic Survey, Oriental Institute, University of Chicago. https://oi.uchicago.edu/sites/oi.uchicago.edu/files/uploads/shared/docs/Digital-Epigraphy.pdf.
    *ref*/Vinel, Nicolas. 2006. «Le judaïsme caché du carré Sator de Pompéi». Revue de l’histoire des religions 223 (2): 173–194.
    *ref*/Williams, Charles K. 2001. «War». The New Yorker Nov. 5: 80–81.
    *ref*/Zender, Marc, Dmitri Beliaev and Albert Davletshin. 2016. «The Syllabic Sign we and an Apologia for Delayed Decipherment». The PARI Journal 17 (2): 35–56.

  7. 7
    مورد إلكتروني

    عناروين إضافية: Ingenio y ambivalencia en la escritura maya

    المصدر: Revista Española de Antropología Americana; Vol. 49 No. Especial (2019): En memoria de Alfonso Lacadena García-Gallo (2019); 225-240; Revista Española de Antropología Americana; Vol. 49 Núm. Especial (2019): En memoria de Alfonso Lacadena García-Gallo (2019); 225-240; 1988-2718; 0556-6533

    URL: https://revistas.ucm.es/index.php/REAA/article/view/64968
    https://revistas.ucm.es/index.php/REAA/article/view/64968/4564456551605
    https://revistas.ucm.es/index.php/REAA/article/view/64968/4564456551605
    *ref*/Andrews, E. Wyllys. 1943. The Archaeology of Southwestern Campeche. Carnegie Institution of Washington 546. Washington, D.C.: Carnegie Institution of Washington.
    *ref*/Barrera Vásquez, Alfredo, Juan Ramón Bastarrachea and William Brito Sansores, eds. 1980. Diccionario Maya-Español, Español-Maya. Mérida: Ediciones Cordemex.
    *ref*/Boot, Erik. 2008. «At the Court of Itzam Nah Yax Kokaj Mut: Preliminary Iconographic and Epigraphic Analysis of a Late Classic Vessel». http://www.mayavase.com/God-D-Court-Vessel.pdf.
    *ref*/Caminos, Ricardo. 1976. The Recording of Inscriptions and Scenes in Tombs and Temples. New York: Metropolitan Museum of Art.
    *ref*/Christenson, Allen J. 2007. Popol Vuh: The Sacred Book of the Maya. Norman: University of Oklahoma Press.
    *ref*/Coe, Michael D. and Stephen Houston. 2015. The Maya. 9th edition. London: Thames and Hudson.
    *ref*/Cooley, Alison E. 2012. The Cambridge Manual of Latin Epigraphy. Cambridge: Cambridge University Press.
    *ref*/Flier, Michael S. 2008. «Church of Intercession on the Moat / St. Basil’s Cathedral», in Picturing Russia: Explorations in Visual Culture, Valerie A. Kivelson and Joan Neuberger, eds., pp. 42–46. New Haven: Yale University Press.
    *ref*/Graham, Ian. 1975. Corpus of Maya Hieroglyphic Inscriptions, Volume 1: Introduction. Cambridge: Peabody Museum of Archaeology and Ethnology, Harvard University.
    *ref*/Graham, Ian. 1982. Corpus of Maya Hieroglyphic Inscriptions, Volume 3, Part 1: Yaxchilan. Cambridge: Peabody Museum of Archaeology and Ethnology, Harvard University.
    *ref*/Griffiths, J. Gwyn. 1971. «‘Arepo’ in the Magic ‘Sator’ Square». The Classical Review 21: 6–8.
    *ref*/Grube, Nikolai. 1998. «Speaking through Stones: A Quotative Particle in Maya Hieroglyphic Inscriptions», in 50 años de estudios americanistas en la Universidad de Bonn, Sabine Dedenbach-Salazar Sáenz, Carmen Arellano Hoffmann, Eva Konig and Heiko Prumers, eds., pp. 543–58. Markt Schwaben: Verlag Anton Sauerwein.
    *ref*/Hopkins, Nicholas A., J. Kathryn Josserand and Ausencio Cruz Guzmán. 2011. A Historical Dictionary of Chol (Mayan): The Lexical Sources from 1789 to 1935. http://www.famsi.org/mayawriting/dictionary/hopkins/CholDictionary2010.pdf.
    *ref*/Houston, Stephen D. 1993. Hieroglyphs and History at Dos Pilas: Dynastic Politics of the Classic Maya. Austin: University of Texas Press.
    *ref*/Houston, Stephen D. 2014. «Monuments», in Life and Politics at the Royal Court of Aguateca: Artifacts, Analytical Data, and Synthesis, Takeshi Inomata and Daniela Triadan, eds., pp. 235–257. Aguateca Archaeological Project First Phase Monograph Series 3. Salt Lake City: University of Utah Press.
    *ref*/Houston, Stephen D. 2016a. «Crafting Credit: Authorship among Classic Maya Painters and Sculptors», in Making Value, Making Meaning: Techné in the Pre-Columbian World, Cathy L. Costin, ed., pp. 391–431. Washington, D.C.: Dumbarton Oaks Research Library and Collection.
    *ref*/Houston, Stephen D. 2016b. «Gladiatrix». Maya Decipherment: Ideas on Ancient Maya Writing and Iconography, https://decipherment.wordpress.com/2016/06/08/gladiatrix/.
    *ref*/Houston, Stephen D. 2018. The Gifted Passage: Young Men in Classic Maya Art and Text. New Haven: Yale University Press.
    *ref*/Houston, Stephen D. and David Stuart. 1993. «Multiple Voices in Maya Writing: Evidence for First- and Second-Person References». Paper presented at the 58th meeting of the Society for American Archaeology, St. Louis.
    *ref*/Houston, Stephen D. and David Stuart. 1996. «Of Gods, Glyphs, and Kings: Divinity and Rulership among the Classic Maya». Antiquity 70 (268): 289–312.
    *ref*/Houston, Stephen, David Stuart and Karl Taube. 2006. The Memory of Bones: Body, Being, and Experience among the Classic Maya. Austin: University of Texas Press.
    *ref*/Howse, Christopher. 2015. «Unique Ancient Sator-Rotas Word-Square Discovered». The Telegraph, 02 May 2015. https://www.telegraph.co.uk/comment/11579586/Unique-ancient-Sator-Rotas-word-square-discovered.html.
    *ref*/Hull, Kerry M. 2016. A Dictionary of Ch’orti’ Mayan-Spanish-English. Salt Lake City: University of Utah Press.
    *ref*/Hull, Kerry, Michael D. Carrasco and Robert Wald. 2009. «The First-Person Singular Independent Pronoun in Classic Ch’olan». Mexicon XXXI (2): 36–43.
    *ref*/Johnston, Kevin. 2001. «Broken Fingers: Classic Maya Capture and Polity Consolidation». Antiquity 75 (288): 373–381.
    *ref*/Kaufman, Terrence S. and William M. Norman. 1984. «An Outline of Proto-Cholan Phonology, Morphology, and Vocabulary», in Phoneticism in Mayan Hieroglyphic Writing, John S. Justeson and Lyle Campbell, eds., pp. 77–166. Institute for Mesoamerican Studies 9. Albany: State University of New York.
    *ref*/Last, Hugh. 1952. «The Rotas-Sator Square: Present Position and Future Prospects». Journal of Theological Studies 3 (1): 92–97.
    *ref*/Law, Danny. 2014. Language Contact, Inherited Similarity and Social Difference: The Story of Linguistic Interaction in the Maya Lowlands. Amsterdam: John Benjamins.
    *ref*/Marcus, Joyce. 1987. The Inscriptions of Calakmul: Royal Marriage at a Maya City in Campeche, Mexico. Technical Report 21. Ann Arbor: Museum of Anthropology, University of Michigan.
    *ref*/Martin, Simon. 2003. «Moral-Reforma y la contienda por el oriente de Tabasco». Arqueología Mexicana 61: 44–47.
    *ref*/Martin, Simon. 2014. The Classic Maya Polity: An Epigraphic Approach to Reconstructing a Pre-Hispanic Political System. Doctoral Thesis. University College London.
    *ref*/Martin, Simon and Nikolai Grube. 2008. Chronicle of the Maya Kings and Queens: Deciphering the Dynasties of the Ancient Maya. 2nd ed. London: Thames and Hudson.
    *ref*/Martin, Simon, Stephen Houston and Marc Zender. 2015. «Sculptors and Subjects: Notes on the Incised Text of Calakmul Stela 51». Maya Decipherment: Ideas on Ancient Maya Writing and Iconography, https://decipherment.wordpress.com/2015/01/07/sculptors-andsubjects-notes-on-the-incised-text-of-calakmul-stela-51/.
    *ref*/Miller, Mary. 2000. «Guerra y escultura maya: un argumento en favor del tributo artístico», in La guerra entre los antiguos mayas: Memoria de la Primera Mesa Redonda de Palenque, Silvia Trejo, ed., pp. 176–187. Mexico: CONACULTA, Instituto Nacional de Antropología e Historia.
    *ref*/Miller, Mary and Claudia Brittenham. 2013. The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak. Austin and Mexico: University of Texas Press, CONACULTA, Instituto Nacional de Antropología e Historia.
    *ref*/Miller, Mary and Simon Martin. 2004. Courtly Art of the Ancient Maya. San Francisco: Fine Arts Museum of San Francisco.
    *ref*/Mora-Marín, David F. 2009. «Reconstruction of Proto-Ch’olan Independent Pronouns: Grammaticalization and Evidence for Sociolinguistic Variation». Transactions of the American Philological Society 107 (1): 98–129.
    *ref*/Newman, Sarah, Stephen Houston, Thomas Garrison and Edwin Román. 2015. «Outfitting a Ruler», in Temple of the Night Sun: A Royal Tomb at El Diablo, Guatemala, Stephen Houston, Sarah Newman, Edwin Román and Thomas Garrison, eds., pp. 84–179. San Francisco: Precolumbia Mesoweb Press.
    *ref*/Pavón Abreu, Raúl. 1945. Morales, una importante ciudad arqueológica en Tabasco. Cuadernos 6. Campeche: Gobierno del Estado de Campeche.
    *ref*/Robertson, John, Stephen Houston, Marc Zender and David Stuart. 2007. Universals and the Logic of the Material Implication: A Case Study from Maya Hieroglyphic Writing. Research Reports on Ancient Maya Writing 62. Washington, D.C. and Austin: Center for Maya Research and the Mesoamerica Center, University of Texas at Austin.
    *ref*/Ruppert, Karl and John H. Denison, Jr. 1943. Archaeological Reconnaissance in Campeche, Quintana Roo, and Petén. Carnegie Institution of Washington 543. Washington, D.C.: Carnegie Institution of Washington.
    *ref*/Schele, Linda and Mary E. Miller. 1986. The Blood of Kings: Dynasty and Ritual in Maya Art. Fort Worth: Kimbell Art Museum.
    *ref*/Scholes, France V. and Ralph L. Roys. 1968. The Maya Chontal Indians of Acalan-Tixchel: A Contribution to the History and Ethnography of the Yucatan Peninsula. Norman: University of Oklahoma Press. [First published as 1948, Carnegie Institution of Washington 560].
    *ref*/Stone, Andrea J. 1995. Images from the Underworld: Naj Tunich and the Tradition of Maya Cave Painting. Austin: University of Texas Press.
    *ref*/Stuart, David. 1989. «Hieroglyphs on Maya Vessels», in The Maya Vase Book: A Corpus of Rollout Photographs of Maya Vases 1, Justin Kerr, ed. pp. 149–160. New York: Kerr Associates.
    *ref*/Stuart, David. 1998. «‘The Fire Enters His House’: Architecture and Ritual in Classic Maya Texts», in Function and Meaning in Classic Maya Architecture, Stephen D. Houston, ed., pp. 373–425. Washington, D.C.: Dumbarton Oaks Research Library and Collection.
    *ref*/Stuart, David and Stephen D. Houston. 1994. Classic Maya Place Names. Studies in Pre-Columbian Art and Archaeology 33. Washington, D.C.: Dumbarton Oaks.
    *ref*/Taube, Karl A. 2018. «Orígenes y simbolismo de la deidad del viento en Mesoamérica». Arqueología Mexicana 152: 34–39.
    *ref*/Taube, Karl and Marc Zender. 2009. «American Gladiators: Ritual Boxing in Ancient Mesoamerica», in Blood and Beauty: Organized Violence in the Art and Archaeology of Mesoamerica and Central America, Heather Orr and Rex Koontz, eds., pp. 161–220. Los Angeles: Cotsen Institute of Archaeology Press, University of California.
    *ref*/Turchi, Peter. 2014. A Muse and a Maze: Writing as Puzzle, Mystery, and Magic. San Antonio: Trinity University Press.
    *ref*/Vértes, Krisztián. 2014. Digital Epigraphy. Chicago: Epigraphic Survey, Oriental Institute, University of Chicago. https://oi.uchicago.edu/sites/oi.uchicago.edu/files/uploads/shared/docs/Digital-Epigraphy.pdf.
    *ref*/Vinel, Nicolas. 2006. «Le judaïsme caché du carré Sator de Pompéi». Revue de l’histoire des religions 223 (2): 173–194.
    *ref*/Williams, Charles K. 2001. «War». The New Yorker Nov. 5: 80–81.
    *ref*/Zender, Marc, Dmitri Beliaev and Albert Davletshin. 2016. «The Syllabic Sign we and an Apologia for Delayed Decipherment». The PARI Journal 17 (2): 35–56.