يعرض 1 - 9 نتائج من 9 نتيجة بحث عن '"visualisation technologies"', وقت الاستعلام: 0.77s تنقيح النتائج
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    مؤتمر

    المؤلفون: Weiss, Chris

    المساهمون: Shell, Petroleum Development Oman, Wipro Technologies

    المصدر: SPE Annual Technical Conference and Exhibition.

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    دورية أكاديمية

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    دورية أكاديمية

    المؤلفون: Hanewinkel, ChristianAff13, Losang, Eric H.

    المصدر: KN - Journal of Cartography and Geographic Information: Kartographische Nachrichten. 63(5):255-261

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    كتاب

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    مورد إلكتروني

    URL: http://handle.unsw.edu.au/1959.4/unsworks_47594
    https://orcid.org/0000-0002-0816-8583
    https://orcid.org/0000-0001-9161-788X
    http://purl.org/au-research/grants/arc/DE160100142
    https://orcid.org/0000-0002-0816-8583
    https://orcid.org/0000-0001-9161-788X
    https://orcid.org/0000-0001-9161-788X
    Publication Title: Parragirls Past, Present Unlocking memories of institutional ‘care’ 2017Research Category: AROC / ERA Digital Creative Work UNSW Author(s): BENNETT, J., DAVIES, A., HIBBERD, L. & KUCHELMEISTER, V.1. Research BackgroundThis project investigates the affective potential of immersive visualisation technologies to produce appropriate subjectivities for difficult memory and traumatic experience to transform the documentary status of moving images to one of affective experience. Up until the early 1980s, ‘children at risk’ were held at Parramatta Girls Home and subjected to unwarranted punishment and abuse, as has emerged in the current Royal Commission into Institutional Responses to Child Sexual Abuse. 2. Research Contribution Parragirls Past, Present - unlocking memories of institutional ‘care ’is a 3D immersive cinema project, presenting former residents’ visions of Parramatta Girls Home today. This project develops new digital media approaches to testimony and memory arising from otherwise marginalised institutional experiences. As a narrative cultural heritage project, it presents a digital reconstructed reality where photographic veracity stands in contrast to the unique aesthetic properties of a point cloud representation. Here, Parragirls seek out traces to substantiate what really happened in a place of significant human rights abuse that has been publicly overlooked and neglected since its closure in 1974. This work offers groundbreaking approaches to the public history and representation of sites of trauma attending state punishment and institutionalisation both in Australia and internationally. Its unique iteration engages viewers on a deep emotional level and to build presence and place in this virtual heritage landscape.3. Research SignificanceCommissioned by The Big Anxiety: festival of the arts+science+people 2017, this work is the inaugural public project at UNSW EPICentre, the world's highest resolution 3D immersive environment. Since
    http://purl.org/au-research/grants/arc/DE160100142
    UNSW EPICentre/The Big Anxiety: festival of arts+science+people

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