التفاصيل البيبلوغرافية
| العنوان: |
Know My Name: curated by Deborah Hart, Elspeth Pitt, and Yvette Del Pozzo, National Gallery of Australia, Canberra, 14 November 2020–26 January 2022. |
| المؤلفون: |
Butler, Rex |
| المصدر: |
Journal of Australian Studies; Jun2022, Vol. 46 Issue 2, p257-265, 9p |
| مصطلحات موضوعية: |
NATIONAL museums, ART exhibitions, IMPRESSIONIST artists, INSTALLATION art, WOMEN artists, SOLIDARITY, PUBLIC spaces |
| مصطلحات جغرافية: |
CANBERRA (A.C.T.) |
| الشركة/الكيان: |
NATIONAL Gallery of Australia |
| مستخلص: |
The first and most obvious model, credited in the catalogue, is Elvis Richardson's I The Countess Report i , which is a statistical analysis of the Australian art world, ranging from the identity of the corporate funders of art institutions to the percentage of female artists across a wide range of historical and contemporary shows, running since 2008. Take, for instance, Pollock's powerful reading of American artist Mary Cassatt's I Lady at the Tea Table i (1883-1885), which shows her mother's cousin sitting at a tea table setting out the cups and saucers around her, which Pollock understands as a depiction of women's powers of creative expression in a domestic space, and beyond that something of a stand-in for the artist herself and an acknowledgement of a feminine artistic practice. In fact, in the last moments of my course, I turn to the work of the American post-modernist Sherrie Levine: like Hesse, another female artist who is no longer secondary but the most important and representative artist of the art movement with which she is associated. In the tutorial of the final week of the course, entitled "After Pollock", playing on a hopefully intriguing connection of the kind art can throw up, we conclude by considering Lucy Lippard's important exhibition I Eccentric Abstraction i , held at the Fischbach Gallery in New York in 1966, and whose defining artist, even though the show consisted of equal numbers of men and women, was Eva Hesse. [Extracted from the article] |
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| قاعدة البيانات: |
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