التفاصيل البيبلوغرافية
| العنوان: |
Osobno je političko u Ženskoj sobi Marilyn French. (Croatian) |
| Alternate Title: |
Personal Is Political in Marilyn's French's The Women's Room. (English) |
| المؤلفون: |
Lubina, Borka Lekaj |
| المصدر: |
Sic: A Journal of Literature, Culture & Literary Translation; 2024, Vol. 14 Issue 2, p1-18, 18p |
| مصطلحات موضوعية: |
FEMININE identity, FEMINIST literature, GENDER role, WOMEN'S writings, WOMEN'S roles, LIBERTY, ROLE conflict, AUTOBIOGRAPHY |
| الشركة/الكيان: |
HARVARD University |
| مستخلص: |
Emancipation narratives in the U.S. feminist literature of the late 1960s and 1970s constructed the female identity in line with the feminist slogan "the personal is political." The heroine, constrained by gender roles in the private sphere, realizes that her personal problems have broader social causes, so she changes her life to create a new self that conflicts with traditional female roles. The emancipation of the protagonist Mira of The Women's Room written by Marilyn French, follows the genre conventions of the feminist Bildungsroman which shows Mira's journey from a mad housewife to a Harvard graduate. Even though the novel shows that the personal becomes political in the emancipation of the heroine from the constraints of the female private sphere, the novel fails to convey the optimism of broader change in the depiction of Mira's friends whose lives show that emancipation is a long and difficult journey indeed. [ABSTRACT FROM AUTHOR] |
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| قاعدة البيانات: |
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