دورية أكاديمية
Pathological anatomy and self-portraiture
العنوان: | Pathological anatomy and self-portraiture |
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المؤلفون: | Harcourt, Glenn, Temple-Cox, Lisa |
المصدر: | Dynamis: Acta Hispanica ad Medicinae Scientiarumque Historiam Illustrandam; Vol. 36, Núm. 1 (2016): Modelos anatómicos. Cuerpos y objetos en la ciencia contemporánea; p. 93-118 |
Publication Status: | published |
بيانات النشر: | Mikel Astrain Gallart, 2016. |
سنة النشر: | 2016 |
مصطلحات موضوعية: | anatomical specimen, pathological anatomy, art, identity, representation, historical subjects, historical objects |
الوصف: | Why should an artist look to anatomical or pathological specimens as a reservoir of images with which to facilitate an articulation of his or her own artistic or personal identity? This is the starting point of a reflection on the disappearance of the artist and its transformation into a passive object. As a result, it is also a reflection into the blurring lines between subject and object. On the grounds of the work elaborated by the artist Lisa Temple-Cox and the critical look and comments made by the observer Harcourt, this paper is a first-hand attempt to understand the configuration of the self and the influence of the artistic intervention in the generation and representation of anatomical knowledge, resulting in an exploration into the intertwined processes that create both historical subjects and historical objects. |
نوع الوثيقة: | article |
وصف الملف: | application/pdf |
اللغة: | English |
تدمد: | 2340-7948 0211-9536 |
Relation: | https://www.raco.cat/index.php/Dynamis/article/view/306608/396603 |
DOI: | 10.4321/306608 |
URL الوصول: | https://www.raco.cat/index.php/Dynamis/article/view/306608 |
رقم الأكسشن: | edsrac.306608 |
قاعدة البيانات: | RACO (Revistes Catalanes amb Accés Obert) |
تدمد: | 23407948 02119536 |
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DOI: | 10.4321/306608 |