دورية أكاديمية
Vicisitudes de la contemporaneidad ante la dualidad urbana/rural de las artes de India : en torno al caso de Jagdish Swaminathan y el Bhārat Bhavan de Bhopal
| العنوان: | Vicisitudes de la contemporaneidad ante la dualidad urbana/rural de las artes de India : en torno al caso de Jagdish Swaminathan y el Bhārat Bhavan de Bhopal |
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| Alternate Title: | Vicissitudes of contemporaneity faced with urban/rural duality of arts in India : around Jagdish Swaminathan and the Bhārat Bhavan of Bhopal |
| المؤلفون: | Román Aliste, Sergio |
| المصدر: | Indi@logs. Spanish Journal of India Studies; Vol. 4 (2017): Indic Crossings; p. 111-129 Indialogs; Vol. 4 (2017): Indic Crossings; p. 111-129 |
| Publication Status: | published |
| بيانات النشر: | Indi@logs. Spanish Journal of India Studies, 2017. |
| سنة النشر: | 2017 |
| مصطلحات موضوعية: | Contemporaneidad, Jagdish Swaminathan, Bhārat Bhavan, artesanías, arte tribal, ādivāsīs, primitivismo, Contemporaneity, handicrafts, tribal art, primitivism |
| الوصف: | Este artículo aborda la difícil inclusión de las artes que surgen de los márgenes de la modernidad en un ámbito aparentemente envolvente como la contemporaneidad. La coexistencia en el tiempo no parece suficiente para considerar ciertas artes, como las artesanías o las artes tribales, como parte indisoluble del espacio del "arte contemporáneo". Desde la crítica a este planteamiento, el artista indio Jagdish Swaminathan desarrolló una línea teórica aplicada sobre el proyecto del Bhārat Bhavan en Bhopal, del cual se establece aquí una revisión crítica guiada por el concepto de contemporaneidad. El planteamiento de este artículo defiende al Bhārat Bhavan como un proyecto innovador en el contexto internacional de los años 80, pero de calado limitado por las vicisitudes históricas a las que se vio sometido. This paper deals with the issue of the difficult inclusion in the contemporaneity of those arts emerging from the edges of modernity, given the contemporaneity as a supposedly enveloping field. The coexistence in time does not seem to be enough to consider certain arts, as handicrafts or tribal arts, as indissoluble part of the space of "contemporary art". The Indian artist Jagdish Swaminathan carried out, from the criticism to that approach, a work, both in the theory as in the practice, applied to the Bhārat Bhavan in Bhopal, which is critically examined here through the concept of contemporaneity. The proposal of this paper defends the idea of Bhārat Bhavan as an innovative project in the international context of the 80's, but with a limited projection due to the historical vicissitudes it suffered. |
| نوع الوثيقة: | article |
| وصف الملف: | application/pdf |
| اللغة: | Spanish; Castilian |
| تدمد: | 2339-8523 |
| Relation: | https://www.raco.cat/index.php/Indialogs/article/view/321232/411717 |
| URL الوصول: | https://www.raco.cat/index.php/Indialogs/article/view/321232 |
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| رقم الأكسشن: | edsrac.321232 |
| قاعدة البيانات: | RACO (Revistes Catalanes amb Accés Obert) |
Full Text Finder | تدمد: | 23398523 |
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