دورية أكاديمية
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Color, Music, and Emotion: Bach to the Blues.

التفاصيل البيبلوغرافية
العنوان: Color, Music, and Emotion: Bach to the Blues.
المؤلفون: Whiteford KL; Department of Psychology, University of Minnesota, Minneapolis, MN, USA., Schloss KB; Department of Psychology, University of Wisconsin-Madison, Madison, WI, USA; Wisconsin Institute for Discovery, University of Wisconsin-Madison, Madison, WI, USA., Helwig NE; Department of Psychology, University of Minnesota, Minneapolis, MN, USA; School of Statistics, University of Minnesota, Minneapolis, MN, USA., Palmer SE; Department of Psychology, University of California, Berkeley, CA, USA.
المصدر: I-Perception [Iperception] 2018 Nov 11; Vol. 9 (6), pp. 2041669518808535. Date of Electronic Publication: 2018 Nov 11 (Print Publication: 2018).
نوع المنشور: Journal Article
اللغة: English
بيانات الدورية: Publisher: Sage Publications, Inc Country of Publication: United States NLM ID: 101574031 Publication Model: eCollection Cited Medium: Print ISSN: 2041-6695 (Print) Linking ISSN: 20416695 NLM ISO Abbreviation: Iperception Subsets: PubMed not MEDLINE
أسماء مطبوعة: Publication: 2015- : Thousand Okas, CA : Sage Publications, Inc.
Original Publication: London : Pion
مستخلص: When people make cross-modal matches from classical music to colors, they choose colors whose emotional associations fit the emotional associations of the music, supporting the emotional mediation hypothesis . We further explored this result with a large, diverse sample of 34 musical excerpts from different genres, including Blues, Salsa, Heavy metal, and many others, a broad sample of 10 emotion-related rating scales, and a large range of 15 rated music-perceptual features. We found systematic music-to-color associations between perceptual features of the music and perceptual dimensions of the colors chosen as going best/worst with the music (e.g., loud, punchy, distorted music was generally associated with darker, redder, more saturated colors). However, these associations were also consistent with emotional mediation (e.g., agitated -sounding music was associated with agitated -looking colors). Indeed, partialling out the variance due to emotional content eliminated all significant cross-modal correlations between lower level perceptual features. Parallel factor analysis (Parafac, a type of factor analysis that encompasses individual differences) revealed two latent affective factors- arousal and valence -which mediated lower level correspondences in music-to-color associations. Participants thus appear to match music to colors primarily in terms of common, mediating emotional associations.
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فهرسة مساهمة: Keywords: aesthetics; color; cross-modal associations; emotion; music cognition
تواريخ الأحداث: Date Created: 20181128 Latest Revision: 20240403
رمز التحديث: 20240403
مُعرف محوري في PubMed: PMC6240980
DOI: 10.1177/2041669518808535
PMID: 30479734
قاعدة البيانات: MEDLINE
الوصف
تدمد:2041-6695
DOI:10.1177/2041669518808535