دورية أكاديمية
Cover Essay: La Gente , Controllers of the Universe.
| العنوان: | Cover Essay: La Gente , Controllers of the Universe. |
|---|---|
| المؤلفون: | Soland P |
| المصدر: | Technology and culture [Technol Cult] 2024; Vol. 65 (2), pp. 437-445. |
| نوع المنشور: | Journal Article; Historical Article |
| اللغة: | English |
| بيانات الدورية: | Publisher: Johns Hopkins University Press Country of Publication: United States NLM ID: 21120500R Publication Model: Print Cited Medium: Internet ISSN: 1097-3729 (Electronic) Linking ISSN: 0040165X NLM ISO Abbreviation: Technol Cult Subsets: MEDLINE |
| أسماء مطبوعة: | Publication: <2001->: Baltimore, MD : Johns Hopkins University Press Original Publication: Chicago : University of Chicago Press |
| مواضيع طبية MeSH: | Popular Culture*, History, 20th Century ; Mexico ; Humans |
| مستخلص: | Diego Rivera's mural El hombre controlador del universo (1934) can be read as foreshadowing the anxieties and optimisms about atomic power that shaped popular culture in Mexico during the nuclear age. In epic fashion, Rivera's vision affirms the agency of ordinary people in the face of a technological epoch while eerily anticipating the bipolarity of the Cold War, themes that would be revisited by Julián Soler in his film Santo contra Blue Demon en la Atlantida (1969), which bears out the prophecy of Rivera's mural. |
| تواريخ الأحداث: | Date Created: 20240520 Date Completed: 20240520 Latest Revision: 20240520 |
| رمز التحديث: | 20240520 |
| DOI: | 10.1353/tech.2024.a926310 |
| PMID: | 38766956 |
| قاعدة البيانات: | MEDLINE |
| تدمد: | 1097-3729 |
|---|---|
| DOI: | 10.1353/tech.2024.a926310 |