التفاصيل البيبلوغرافية
| العنوان: |
Remastering Termination Rights: Why Remastered Sound Recordings Should Never Be Considered Derivative Works as to Circumvent Copyright Termination. |
| المؤلفون: |
Broudy, Ross |
| المصدر: |
George Mason Law Review; 2020 Symposium, Vol. 27 Issue 3, p939-967, 29p |
| مصطلحات موضوعية: |
MUSICAL composition, INTELLECTUAL property, COPYRIGHT policy, PIRACY (Copyright) |
| مستخلص: |
The article explains the landscape of the copyrightability of sound recordings by discussing the history of and requirements for master sound recordings, termination rights, licensing master recordings in samples, remixes, and audiovisual works, and the processes of mastering and remastering in the U.S. It argues that courts should never hold digital remasters to be derivative works because remasters contain a trivial amount of originality. |
| قاعدة البيانات: |
Complementary Index |
