دورية أكاديمية

Quest'è la letra: From Lyric Parody to Modern Tragedy in Ruzante's Venice.

التفاصيل البيبلوغرافية
العنوان: Quest'è la letra: From Lyric Parody to Modern Tragedy in Ruzante's Venice.
المؤلفون: Rudavsky-Brody, Nathaniel
المصدر: MLN; Jan2024, Vol. 139 Issue 1, p1-34, 34p
مصطلحات موضوعية: PARODY, COMEDIANS, SOCIAL reality, ONE-act plays, PEASANTS, POETRY (Literary form), DIALECTS
مصطلحات جغرافية: VENICE (Italy), VENETO (Italy)
مستخلص: Paduan playwright Angelo Beolco, alias Ruzante, wrote against a vibrant tradition of dialect parody lyric and popular verse theater in the Veneto region. Yet in a pair of darkly comic one-act plays, the Due dialoghi in lingua rustica , Beolco pushes beyond his comic roots to reach new depths of tragic seriousness. Though in prose, the Dialoghi should be read as responding to the corpus of dialect poetry; when the humorous tension between the peasant speaker and his high poetic form is confronted with social and economic reality, tragedy is born. Comparison with another gem of Paduan literature, the Alfabeto dei villani , sheds light on the significance of Beolco's breakthrough. There, parody creates lyric, allowing a true poetic subject to emerge from the limbo of those refused entrance into the economy of salvation and self. [ABSTRACT FROM AUTHOR]
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قاعدة البيانات: Complementary Index
الوصف
تدمد:00267910
DOI:10.1353/mln.2024.a930284