| الوصف: |
Cilj diplomskoga rada bio je utvrditi kako se evanđeoski prototekst odnosi prema ideologemima ženskoga pisma i književnosti katoličkog pokreta u romanima Side Košutić. Riječ je o hrvatskoj književnici koja je stvarala u prvoj polovici dvadesetoga stoljeća. Ova liričarka, prozaistica i autorica jedne drame nerijetko je svrstavana među autore koji su stvarali pod okriljem katoličkoga pokreta, a isticala se i svojim protofeminističkim angažmanom. Kako bi se navedeni ideologemi i prototekst mogli iščitati iz romana, definirani su pojmovi intertekstualnosti, prototeksta i ideologema te su prikazani biblijski tekstovi kao prototekst i temelj katoličkoga ideologema. Fokus je bio na realističnoj trilogiji S naših njiva (Plodovi zemlje, 1935.; Magle, 1937.; Bijele tišine, 1940.) te modernome romanu Velika šutnja (2012.). Pokušalo se utvrditi kako se autorica kroz svoje junakinje postavlja prema patrijarhalnome ideologemu i pogrešno tumačenome evanđeoskom prototekstu, istodobno promovirajući protofeministički ideologem kroz upisivanje ženskoga pisma i evanđeoskih poruka. The aim of the thesis was to determine how the evangelical prototext relates to the ideologemes of women's writing and literature of the Catholic movement in the novels of Sida Košutić. She is a Croatian writer who was literary active in the first half of the twentieth century. She was a lyricist, prose writer and a playwright who was often ranked as a Catholic movement author, while she also stood out with her protofeminist engagement. To be able to read the mentioned ideologemes and the prototext from the novel, the notions of intertextuality, prototext and ideologues have been introduced. The biblical texts are presented as a prototext and the foundation of a Catholic ideologue. In this paper, the focus was on the realistic trilogy S naših njiva (Plodovi zemlje, 1935.; Magle, 1937.; Bijele tišine, 1940.) (English: From Our Fields (Fruits of the Earth, 1935; The Fog, 1937; White Silences, 1940) and the modern novel Velika šutnja (2012) (English: The Great Silence (2012). An attempt was made to establish how the author positions herself towards the patriarchal ideologeme and the misinterpreted evangelical prototext through her heroines, while promoting the protofeminist ideologeme through the inscription of the female script and evangelical messages. |
