How to Understand Digital Studio Outputs: The Case of Digital Music Production
| العنوان: | How to Understand Digital Studio Outputs: The Case of Digital Music Production |
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| المؤلفون: | Karim Barkati, Francis Rousseaux |
| المساهمون: | Institut de Recherche et Coordination Acoustique/Musique (IRCAM), Centre de Recherche en Sciences et Technologies de l'Information et de la Communication - EA 3804 (CRESTIC), Université de Reims Champagne-Ardenne (URCA), Eunika Mercier-Laurent, Danielle Boulanger, TC 12, WG 12.6, Equipe Ingénierie des connaissances musicales, Sciences et Technologies de la Musique et du Son (STMS), Institut de Recherche et Coordination Acoustique/Musique (IRCAM)-Université Pierre et Marie Curie - Paris 6 (UPMC)-Centre National de la Recherche Scientifique (CNRS)-Institut de Recherche et Coordination Acoustique/Musique (IRCAM)-Université Pierre et Marie Curie - Paris 6 (UPMC)-Centre National de la Recherche Scientifique (CNRS), ircam, ircam |
| المصدر: | IFIP Advances in Information and Communication Technology 1st IFIP International Workshop on Artificial Intelligence for Knowledge Management (AI4KM) 1st IFIP International Workshop on Artificial Intelligence for Knowledge Management (AI4KM), Aug 2012, Montpellier, France. pp.151-169, ⟨10.1007/978-3-642-54897-0_9⟩ IFIP Advances in Information and Communication Technology, 2014,-(422), pp.151-169 IFIP Advances in Information and Communication Technology ISBN: 9783642548963 AI4KM@ECAI |
| بيانات النشر: | HAL CCSD, 2012. |
| سنة النشر: | 2012 |
| مصطلحات موضوعية: | Multimedia, Computer science, Knowledge engineering, Digital transformation, Context (language use), Digital Artifact Preservation, 02 engineering and technology, Process Understanding, Ontology (information science), [INFO] Computer Science [cs], computer.software_genre, Domain (software engineering), Digital Humanities, Digital Studio, 020204 information systems, 0202 electrical engineering, electronic engineering, information engineering, 020201 artificial intelligence & image processing, [INFO]Computer Science [cs], computer, Studio, Trace Engineering, Digital audio, TRACE (psycholinguistics), Digital Music Production |
| الوصف: | cote interne IRCAM: Barkati14a; None / None; National audience; Digital studios trace a great amount of processes and artifacts. The important flow of these traces calls for a system to support their interpretation and understanding. We present our design and development of such a system in the digital music production context, within the Gamelan research project. This trace-based system is structured in three main layers: track production process, interpret collected traces according to a dedicated domain ontology, help querying and visualizing to foster production understanding. We conclude by discussing some hypotheses about trace-based knowledge engineering and digital music production understanding. |
| اللغة: | English |
| ردمك: | 978-3-642-54896-3 |
| URL الوصول: | https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6b70b67a86ac70ccdc851f48c880d034 https://hal.archives-ouvertes.fr/hal-01256590 |
| حقوق: | OPEN |
| رقم الأكسشن: | edsair.doi.dedup.....6b70b67a86ac70ccdc851f48c880d034 |
| قاعدة البيانات: | OpenAIRE |
| ردمك: | 9783642548963 |
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