دورية أكاديمية
أعرض في EDS

La musique du groupe Zebda entre configurations identitaires et pouvoir symbolique

التفاصيل البيبلوغرافية
العنوان: La musique du groupe Zebda entre configurations identitaires et pouvoir symbolique
المؤلفون: Armelle Gaulier
المصدر: Transposition, Vol 5 (2015)
بيانات النشر: Éditions de l'EHESS, 2015.
سنة النشر: 2015
المجموعة: LCC:Music and books on Music
مصطلحات موضوعية: Zebda, immigration, Toulouse, sample, identities, citizenship, Music and books on Music
الوصف: The music group Zebda was born from an associative adventure during the 1980s in Toulouse. Composed of French youths of North African postcolonial origins, or coming from Spanish and Italian immigration dating back to early 20th century in South-western France, Zebda had some success in France during the 1990s. After a break of several years (between 2003 and 2008), some members re-formed the Group and released a new album in 2012. This article proposes to approach the music of Zebda as a musical (or socio-musical) whole, to better analyse the different identity configurations that the members of the group claimed. We will also analyse the symbolic power of some of the group’s songs that are intended to express and claim their place in society. The creation of the group is linked to the Beur movement in France. Zebda (which literally means butter in Arabic) is a group of French rock; even “more than French” because of their Toulouse roots, and based on the story of Maghreb immigration in France.
نوع الوثيقة: article
وصف الملف: electronic resource
اللغة: English
French
تدمد: 2110-6134
Relation: http://journals.openedition.org/transposition/1398; https://doaj.org/toc/2110-6134
DOI: 10.4000/transposition.1398
URL الوصول: https://doaj.org/article/d92f064bdf8a4b6a8b7e779faa860d2f
رقم الأكسشن: edsdoj.92f064bdf8a4b6a8b7e779faa860d2f
قاعدة البيانات: Directory of Open Access Journals
الوصف
تدمد:21106134
DOI:10.4000/transposition.1398