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Orientalist painting of Paja Jovanović in the context of postcolonial discourse

التفاصيل البيبلوغرافية
العنوان: Orientalist painting of Paja Jovanović in the context of postcolonial discourse
المؤلفون: Tošić Milica M.
المصدر: Baština, Vol 2022, Iss 58, Pp 403-415 (2022)
بيانات النشر: Institute of Serbian Culture Priština, Leposavić, 2022.
سنة النشر: 2022
المجموعة: LCC:History (General) and history of Europe
LCC:Social sciences (General)
مصطلحات موضوعية: postcolonial studies, orientalism, balkans, paja jovanović, orientalist painting, History (General) and history of Europe, Social sciences (General), H1-99
الوصف: This text will interpret the key concepts of postcolonialism and postcolonial studies with a reflection on the orientalist paintings of Paja Jovanović. The basics of the research concern the influence of the occident and colonizing countries on the artistic creation of Jovanović, with a critical analysis and comparison of the mentioned terms aiming to determine the characteristics of this painter's orientalist expression through a case study of several of his works: The Wounded Montenegrin (1882), Fencing (1883), and Adorning of the Bride (1886). The theoretical basis for this research are mainly the postcolonial studies of Edward Said, Marija Todorova, and Bojana Matejić, aiming to determine the degree of implementation of orientalist discourse in the cultural heritage of the Serbian people.
نوع الوثيقة: article
وصف الملف: electronic resource
اللغة: English
Serbian
تدمد: 0353-9008
2683-5797
Relation: https://scindeks-clanci.ceon.rs/data/pdf/0353-9008/2022/0353-90082258403T.pdf; https://doaj.org/toc/0353-9008; https://doaj.org/toc/2683-5797
DOI: 10.5937/bastina32-34553
URL الوصول: https://doaj.org/article/9d69e806ab38438993d50c2b2be9a957
رقم الأكسشن: edsdoj.9d69e806ab38438993d50c2b2be9a957
قاعدة البيانات: Directory of Open Access Journals
الوصف
تدمد:03539008
26835797
DOI:10.5937/bastina32-34553