كتاب
Choreographing problems: expressive concepts in European contemporary dance and performance
| العنوان: | Choreographing problems: expressive concepts in European contemporary dance and performance |
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| المؤلفون: | Cvejić, Bojana, author. |
| سنة النشر: | 2015 |
| وصف مادي: | xiii, 262 pages : illustrations ; 22 cm. |
| سلاسل: | Performance philosophy Performance philosophy. |
| مصطلحات موضوعية: | Dance -- Europe., Choreography -- Europe., Dance -- Philosophy., Choreography., Dance., Modern dance -- Europe., Modern dance. |
| Subject Person: | Deleuze, Gilles, 1925-1995. |
| جغرافية الموضوع: | Europe. |
| الوصف: | Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance illuminates the relationship between the philosophy of Gilles Deleuze and experimental dance and performance in the works of leading European choreographers, Xavier Le Roy, Jonathan Burrows, Boris Charmatz, Eszter Salamon, Mette Ingvartsen, Jefta van Dinther, and Jan Ritsema. Combining intricate analysis of seven groundbreaking works, including Self Unfinished by Le Roy (1998) and Weak Dance Strong Questions (2001) by Burrows and Ritsema, with a philosophical discussion of the body, movement and time in performance, as well as the notions of theatricality, affect, improvisation and process, the capacity of choreography to 'express' thought is unravelled. Choreographing problems involves composing ruptures between movement, the body and duration in performance such that they engender a shock upon sensibility, one that inhibits recognition. This book offers a practical insight into the matters of choreography: it allows both the versed and the non-trained spectator to observe in detail how the thought and the practices of making, performing and attending reinvent performance and dance today. -- from back cover. |
| ملاحظة حول المحتويات: | Introduction -- Problems and expressive concepts -- Disjunctive captures of the body and movement -- Theatrical apparatuses of disjunction -- Exhausting improvisation: stutterances -- A critical departure from emotionalism: sensations and affects in the mode of performing -- During and after performance: processes, caesuras, and resonances -- A post hoc conclusion: an expanse of choreography. |
| Original Identifier: | (PromptCat)99965396424 ocn925440632 |
| نوع الوثيقة: | Book |
| اللغة: | English |
| ردمك: | 978-1-137-43739-6 978-1-137-43738-9 1-137-43739-1 1-137-43738-3 |
| حقوق: | This record is part of the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others, OCLC Online Computer Library Center, Inc. and the Library of Congress. |
| ملاحظات: | Includes bibliographical references (pages 238-252) and index. |
| رقم الأكسشن: | edshlc.014559505.6 |
| قاعدة البيانات: | Harvard Library Bibliographic Dataset |
Full Text Finder | ردمك: | 9781137437396 9781137437389 1137437391 1137437383 |
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