مورد إلكتروني
Polsk poesi under mellankrigstiden: ett paradigmskifte : Exempel marialyriken
| العنوان: | Polsk poesi under mellankrigstiden: ett paradigmskifte : Exempel marialyriken |
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| عناروين إضافية: | Polish Interwar Poetry: A Paradigm Shift : The Case of Marian Lyrics |
| بيانات النشر: | Institutionen för moderna språk Skellefteå : Norma 2011 |
| تفاصيل مُضافة: | Korolczyk, Marousia Ludwika |
| نوع الوثيقة: | Electronic Resource |
| مستخلص: | The dissertation examines how medieval poetic tradition was reactivated in the production of poetry from the period between the two world wars—the Polish interwar period, defined here as one of literary transition. The positioning in regard to certain literary conventions and the quest for a new normativity that is so prevalent in interwar poetry is also reflected in the era’s poetry on the theme of Mary. Marian lyrics, owing to their strong position in Polish literature (but also by dint of their role in Polish piety and national identity), serve as an indicator in identifying and defining certain poetic processes. Central to this are the respective relationships of Marian themes to tradition and to the poetic norms of the era: is a given poem located along the traditional axis (if so, which), does it run counter to it, or is it an innovation? The poems analysed—Julian Przyboś’ Heavenly Blue, Jerzy Liebert’s Litany to the Virgin Mary, Tytus Czyżewski’s De profundis, Maria Pawlikowska-Jasnorzewska’s The Black Portrait, Józef Czechowicz’ pious rhymes—represent disparate poetic models: the Krakow Avant-garde, Catholic literature, formism/futurism, the circle of Skamander, the Poetics of the Third Sphere in the Second Avant-garde. Reflected here is the broad spectrum of the period’s poetic trends, tendencies, and constellations—as are the historical and literary events of the era. Despite important differences in the poetic/aesthetic models, in these poems it is possible to identify shared characteristics relevant to this study, that is, elements of medieval poetry. The identifying criterion for these elements here is the concept of dogmatic formal language. In the poems medieval poetics are transformed into their own modern form and integrated into the respective poetic models. No other literary epoch offers what the poets are seeking better than poetic formal language modelled on medieval liturgical language. The five poets all participate in what has been called the |
| مصطلحات الفهرس: | Polish poetry, interwar period, paradigm shift, Polish high modernism, Marian lyrics, medieval aesthetic canon, dogmatic form, liturgical hymn, Humanities, Humaniora, Doctoral thesis, monograph, info:eu-repo/semantics/doctoralThesis, text |
| URL: | |
| الإتاحة: | Open access content. Open access content info:eu-repo/semantics/openAccess |
| ملاحظة: | application/pdf Swedish |
| أرقام أخرى: | UPE oai:DiVA.org:uu-158821 urn:isbn:978 91 7217 094-8 1233461864 |
| المصدر المساهم: | UPPSALA UNIV LIBR From OAIster®, provided by the OCLC Cooperative. |
| رقم الأكسشن: | edsoai.on1233461864 |
| قاعدة البيانات: | OAIster |
| الوصف غير متاح. |