مورد إلكتروني
Counterpoint as a principle of creativity: Extracting divergent modifiers from 'The Art of Fugue' by Johann Sebastian Bach
العنوان: | Counterpoint as a principle of creativity: Extracting divergent modifiers from 'The Art of Fugue' by Johann Sebastian Bach |
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المصدر: | Musica Docta; Vol. 4 (2014); 93-105; Musica Docta; V. 4 (2014); 93-105; 2039-9715 |
بيانات النشر: | Dipartimento delle Arti - Alma Mater Studiorum - Università di Bologna 2014-12-29 |
تفاصيل مُضافة: | Corazza, Giovanni Emanuele Agnoli, Sergio Martello, Sara |
نوع الوثيقة: | Electronic Resource |
مستخلص: | The main message carried by this article is that counterpoint can be taken as a model approach for the introduction of contrasting elements, not only in musical composition but also in the generation of ideas in any domain of knowledge. We start by an interdisciplinary review about the power of opposite concepts as constituting elements in nature. This is followed by the description of the DIMAI model for creative thinking, which is founded upon the dual forces of convergent and divergent thinking modalities. The main body of our work is an extraction of divergent modifiers from the Contrapunctus composed by Bach and collected in the Art of Fugue, with simple examples of application to the diversified fields of education and computer science. |
مصطلحات الفهرس: | Creativity, Bach, Contrapunctus, Fugue, Creative thinking model, info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion |
URL: | |
الإتاحة: | Open access content. Open access content Copyright (c) 2014 Giovanni Emanuele Corazza, Sergio Agnoli, Sara Martello |
ملاحظة: | application/pdf Musica Docta; Vol. 4 (2014); 93-105 English |
أرقام أخرى: | ITUDB oai:journals.unibo.it:article/4613 https://musicadocta.unibo.it/article/view/4613 10.6092/issn.2039-9715/4613 1365944832 |
المصدر المساهم: | UNIVERSITA DI BOLOGNA From OAIster®, provided by the OCLC Cooperative. |
رقم الأكسشن: | edsoai.on1365944832 |
قاعدة البيانات: | OAIster |
الوصف غير متاح. |